Diagonal – DIAG057
Cutting edge innovators Rashad Becker and Mark Fell re-work material
from Sote’s extraordinary ‘Parallel Persia’ album alongside a killer
non-album track by Ata Ebtekar aka Sote himself. Highly recommended if
yr into the complex tunings and arrhythmic geometry of Dariush
Dolat-Shahi, Autechre, Xenakis...
Last year’s ‘Paralell Persia’ album took the trajectory of his preceding
‘Hardcore Sounds From Tehran’ (2016) and ‘Sacred Horror In Design’
(2017) to thrilling new heights for Diagonal. Turning traditional
instrumental music inside-out with computers and modular synths, he
arrived at a thrilling mix of sound that stood out as one of the year’s
most original and striking releases.
Wrapped around the incendiary core of ‘Artificial Neutrality’ which
features Pouya Damadi’s Tar and Arash Bolouri’s Santour sculpted into
fiery folk futurism by Sote, the remixes by celebrated mastering
engineer and improvising composer Rashad Becker and minimalist
rhythmatist Mark Fell exert incredible new spins on Sote’s originals
that remain faithful to the material in their inimitable styles.
Rashad Becker’s Dramatic Reenactment of ‘Pseudo Scholastic’ combs and
curdles the original into 7 segmented minutes of squirming tones and
melted rhythms that, through twists and turns, come to recall Korean
classical court music and Florian Hecker as much as they recall the
original.
Mark Fell, meanwhile, impresses with his quadruply extended 20 minute
Parallel Yorkshire mutation of ‘Modality Transporter’, where he unravels
its syncopated flex in endless permutations of laser-guided pulse
drops, puckered strings and choral stabs that come to sound like
Autechre letting off fireworks at a Dariush Dolat-Shahi show.

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