Private Release

Sunday, May 24, 2026

WILL.I.AM MP3 Pack

American rapper, songwriter, musician, producer, DJ, entrepreneur, actor, and TV personality.

Born: 15 March 1975 in The Eastside, Los Angeles, California, USA.

Adams is professionally known by his stage name Will I Am (often written "will.i.am", pronounced "Will I am"), coming to prominence in the late 1990s as a member of the hip hop group The Black Eyed Peas.

Will.i.am has also released four solo albums, the first being "Lost Change" (2001) on Atlantic Records, an original soundtrack to the movie of the same name. A music video was made for the song, "I Am", however, no singles were released from the album. The second solo album "Must B 21" (2003) followed, with track seventeen on the release, "Go!", being regularly used as the theme for the NBA Live 2005 and Madden NFL 2005 seasons. A video for the track was also recorded for use within the sports, however, no singles were released from the album.

Third album, "Songs About Girls" (2007) appeared with the first single released from the album being a club track titled "I Got It From My Mama" (2007) which peaked on the Billboard Hot 100 at #31 on the 17 August 2007. The album also featured singles "Heartbreaker" (2007) and "One More Chance" (2007).

Will.i.am is also a music producer, and has produced with other major label artists including Michael Jackson, Justin Bieber, Eazy-E, Britney Spears, U2, Rihanna, Usher, Justin Timberlake, Earth, Wind & Fire, Nicki Minaj, Cheryl Cole, 2NE1, Smap, The Game (2), Nas, Bone Thugs-N-Harmony, Daddy Yankee, Wolfgang Gartner, and Juanes, et al. He has also been a coach on British TV talent contest show "The Voice" UK.

James Blake & Lil Yachty - 2024 - Bad Cameo

Quality Control Music – none

SARAH LOUISE MP3 Pack

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Sally Anne Morgan - 2020 - Thread

Thrill Jockey – Thrill 528

Sally Anne Morgan is an artist and multi-instrumentalist whose mastery of traditional folk forms is matched only by her ability to push the bounds of those forms into fresh, imaginative pastures. Known for her fiddle playing with the traditional Black Twig Pickers and the duo House and Land, Sally Anne’s debut solo album Thread establishes her as an unparalleled voice in contemporary folk. With a penchant for tuneful melodies, combined with hypnotic rhythms, the result verges on pop. The candor and austerity of Appalachian music serve as the warp to Morgan’s musical tapestries, where strands of psychedelia, rock, and experimentalism are the weft, deftly woven in intricate and beguiling patterns. Sally Anne Morgan’s Thread is centered on interconnectivity and exploration, stringing together practices both ancient and modern and brimming with simple beauties.

Morgan’s artistic practices emphasize connections to the natural world and a modern reframing of rural traditions. Both in her music, in her work as a letterpress artist, and in her rural homestead, Morgan implements conventions from bygone eras to craft work that honors and expands on those traditions. Thread traces Morgan’s myriad of influences and their deep connections, from the psychedelic leanings of Trees and the Third Ear Band, to folk singers like Jean Ritchie and Nic Jones, to Kentucky fiddler Clyde Davenport, to Pauline Oliveros and Johanna Brouk, to their roots and circling back again. The process of composing and arranging the songs across Thread found Morgan exploring the depths of her own voice, inspired as always by traditional Appalachian music, but free to explore and abandon any false notions of authenticity. Morgan spins these connections into works all her own, her original fiddle tunes, ethereal meditations, and sweeping ballads standing as timeless as their traditional counterparts.

The organic energy of Thread grows lushest with its ensemble pieces, featuring Morgan’s partner Andrew Zinn on guitar, and drummer Nathan Bowles. Bowles’ percussive flares across the record lend the folk rock edge to songs like opener “Polly on the Shore” and the neolithic stomp to the jubilant “Sheep Shaped.” Morgan retains that energy on solo pieces while allowing for space to add sparse but potent embellishments. “Garden Song” celebrates the simple pleasures of watching a garden grow, imbued with the summer warmth and paradisiacal June birdsong, through fingerstyle parlor guitar and violin countermelodies. “Wintersong,” in contrast explores the ineffable feelings and mysteries of winter. With “Sugar in the Gourd,” Morgan amplifies a traditional fiddle tune’s hypnotic, repetitive nature as well as layers in her own melodic twists that reframe the music into a piece entirely her own.

Through her elegant singing, dexterous fiddle, banjo, and guitar playing, and commanding skills as a composer, Sally Anne Morgan has established herself as an artist of singular power and grace. Those powers radiate across odes to those who have come before her, her newfound pasture, and fearless self-exploration. With Thread, Morgan has crafted a work of bountiful splendor.

STALLEY MP3 Pack

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Teddy Lasry - 1975 - Action Printing LP

Sonimage – SI 820

Teddy Lasry - 1976 - E=MC2 LP

RCA Victor – FPL1 0148

Teddy Lasry - 1976 - Escalade LP

Sonimage – SI 822

Teddy Lasry - 1979 - Modern Way LP

Patchwork – MCT 44

Teddy Lasry - 1981 - Rush LP

Patchwork – MC 59

Teddy Lasry - 1983 - Two Faces Of LP

Patchwork – MC 72

THREE 6 MAFIA MP3 Pack

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Part ONE / TWO

American hip-hop group from Memphis, Tennessee.

Established 1991 in Memphis with DJ Paul (Paul Beauregard), Juicy J (Jordan Houston) and Lord Infamous (Ricky Dunigan). The original name for the hip hop group was "Backyard Posse", followed shortly after by "Triple Six Mafia" and they originally did "horrorcore" music. The group formed through releasing several EP's from their own record company with Nick Scarfo, Prophet Entertainment, later launching their own label, Hypnotize Minds.

During their early career, they also propelled the careers of several other rappers. Eventually added before the release of "Mystic Stylez" were rappers Koopsta Knicca (Robert Cooper), Gangsta Boo (Lola Mitchell), and Crunchy Black (Darnell Carlton).

Evolving slowly but steadily over the years, Three 6 Mafia (whose name is a reference to the biblical number 666), began as an exploitative, horror-themed underground hardcore rap sensation yet went on to enjoy some mainstream success years later, eventually winning an Oscar and scoring some major hits.

The group's membership varied from album to album, with the one constant being the duo of Juicy J and DJ Paul, who are producers as well as rappers. Other notable Mafia affiliates at one time or another include Crunchy Black, Gangsta Boo, Lord Infamous, Koopsta Knicca, La' Chat, Project Pat, Killa Klan Kaze, and Indo G. The production acumen of Juicy and Paul also brought about a number of side projects including Tear Da Club Up Thugs, Hypnotize Camp Posse and Da Headbussaz, and independent label ventures; the guys initially did business as Prophet Entertainment, later as Hypnotize Minds, working out deals with Relativity Records, Loud Records, and Columbia -- all in turn.

THE NATIONAL MP3 Pack

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Part ONE / Part TWO

K-DEF MP3 Pack

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KMD MP3 Pack

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Other, Like Me: The Oral History of COUM Transmissions and Throbbing Gristle (2021)

1h 22m 2.16GB .MKV file

"Neil Andrew Megson and Christine Carol Newby might not be household names, and their stage personas – Genesis P-Orridge and Cosey Fanni Tutti – might not be on everyone’s playlist. But their performance art collective and band would become among the most influential artistic statements ever. A profile of uncompromising creativity..." (Guardian)

"Aesthetically and philosophically, the industrial genre, grounded as it is as a response to the destructive and dehumanizing elements of industrial society, thematizes our collective potential for dehumanization as well as a potential fuller humanization..." (Dr. Thomas M. Conroy, In the Marketplace of Transgression: Throbbing Gristle and the Pornographic Imaginary)

"The punk rockers said, 'Learn three chords and form a band'. And we thought, 'Why learn any chords?'" (Genesis P-Orridge)

.................

BBC Four Website

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits - mostly working class, mostly self-educated - adopted new identities and began making simple street theatre under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. The group lived at the edge of society, surviving on meagre resources, finding fellowship with others marginalised by the mainstream.

At the core of the group were two artists, Genesis Breyer P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modelling for pornographic magazines, work that she claimed for herself and classified as conceptual art, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body. By the mid-1970s, having been chased out of Hull by the police and now living in London, they had caused one of the 20th century’s biggest art scandals and been branded by the British press and politicians as "the wreckers of civilisation".

On the brink of art world success, COUM turned their attentions to music, starting a new phase as the confrontational and notorious band Throbbing Gristle. They built their own instruments, ran their own independent record label, and challenged the norms of rock performance. Throbbing Gristle confronted the dark side of human nature with brutal honesty and invented an entirely new genre of electronic music, which they named "industrial". The band imploded on stage in front of thousands of fans in San Francisco in 1981, before reforming 23 years later, having become a major influence on subsequent generations of musicians.

KENDRICK LAMAR MP3 Pack

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C + C MUSIC FACTORY MP3 Pack

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Crack Cloud - 2024 - Red Mile

Jagjaguwar – JAG463

ROXANNE SHANTE MP3 Pack

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SABAC MP3 Pack

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He was born in Guaynabo, Puerto Rico along with his twin sister. His family moved to Brooklyn, NY when he was 4 years old. Sabac was raised by his mom and grandmother who are Sicilian, Italian. Sabac grew up in the Gravesend section of BK, neighboring Bensonhurst and Coney Island.

He began his journey into Hip Hop as a B-Boy and aspiring Graf artist (but was a horrible Graf writer). At the age of 12, Sabac began exploring the art of emceeing. He would listen to Red Alert's and Marley Marl's radio shows (broadcast every weekend during the 1980s on KISS-FM & WBLS) and memorize other emcees lyrics. He would then make parodies of popular songs using his own lyrics. He would perform at block parties, school talent shows and anywhere there was music and a mic, constantly battling other emcees. At the age of 15, while attending Lafayette High School in Brooklyn, NY, Sabac would promote parties and shows for artists such as T-La-Rock, Milk and Gizmo, Big Daddy Kane, Greg Nice and many others. He was into anything that was Hip Hop affiliated. While in school, Sabac found himself getting into trouble with the law. He had to do community service at the CityKids Foundation where he learned how to use his lyrics to express his pain and the things that were going on around him. He is now the Director of the CityKids Foundation.

After high school, Sabac attended recording school where he earned himself a degree in recording engineering. He went on to work for Wild Pitch Records as Director of College Radio Promotions and worked records such as OC's "Word Life". He also did street promotion for Nas' "Illmatic" and a number of artists in the early 90s. In 1995, Sabac hooked up with ILL Bill and there began the relationship which is now the legacy called Non Phixion

SHRIMP BOAT MP3 Pack

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Defunct Chicago band formed in 1985. They are considered precursors of the post-rock genre. They broke up in 1993, a few months after the release of "Cavale" LP. In 2004 AUM Fidelity label issued "Something Grand" - a compilation which includes tracks from throughout their career, almost all of them previously unreleased.

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