Under the Roofs of Paris (1930)

 

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In René Clair's irrepressibly romantic portrait of the crowded tenements of Paris, a street singer and a gangster vie for the love of a beautiful young woman. This witty exploration of love and human foibles, told primarily through song, captures the flamboyant atmosphere of the city with sophisticated visuals and groundbreaking use of the new technology of movie sound. An international sensation upon its release, Under the Roofs of Paris is an exhilarating celebration of filmmaking and one of France's most beloved cinematic exports.

Sink Or Swim (1990)

 

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Through a series of twenty six short stories, a girl describes the childhood events that shaped her ideas about fatherhood, family relations, work and play. As the stories unfold, a dual portrait emerges: that of a father who cared more for his career than for his family, and of a daughter who was deeply affected by his behavior. Working in counterpoint to the forceful text are sensual black and white images that depict both the extraordinary and ordinary events of daily life. Together, they create a formally complex and emotionally intense film.

Sunday Bloody Sunday (1971)

 

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John Schlesinger followed his iconic Midnight Cowboy with this deeply personal take on love and sex. Sunday Bloody Sunday depicts the romantic lives of two Londoners, a middle-aged doctor and a prickly thirtysomething divorcée—played with great sensitivity by Peter Finch and Glenda Jackson—who are sleeping with the same handsome young artist (Murray Head). A revelation in its day, this may be the seventies’ most intelligent, multitextured film about the complexities of romantic relationships.

To Keep The Light (2016)

 

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Inspired by true stories, a lighthouse keeper's wife struggles with her work and her sanity as she cares for her sick husband in 19th century Maine.

Or, just listen to the "Press":

“fae’s film displays a gift for both masterful composition and mesmerizing drama as she imparts this involving story of an embattled woman relegated to the fringes of society but determined to be respected.” - women in film & tv vancouver
"a truly exquisite film... portraying the challenges that come with cracking the glass ceiling..." - vox magazine
"from start to finish... a work by a visionary artist" - fipresci 
"a purity of style, a remarkable sense of place and time, that seems long matured and yet the beginning of something new and exciting... the revelation of a new directing talent.” - camera lucida
“a gripping portrait... wonderfully mysterious... fae’s abbie is an entrancing blend of delicacy and strength... just stunning.” - santa fe new mexican 
"beautifully shot, building tension against the harsh landscape... fae proves to be a true new talent.” - nashville scene
"gorgeously shot and intimately written... mesmerizing... a stunning portrait... it’s easy to see why fae has rightfully been anointed as an emerging talent." - the washingtonian
"quietly mesmerizing...the film takes on an ingmar bergman feel in the second half... its beauty and confidently methodical pacing..." - orlando weekly
"with this her first feature film, i sincerely hope fae continues her work in the cinematic arts... an early candidate for my top films of 2016.” - cinema365
"a poignant expression of the ignored and uncredited contribution of women in the 1870s..." - the maneater
"weds stunning visuals to the compelling story of a lighthouse keeper’s wife caring for her husband, their home and herself...” - columbia tribune
"a glimpse into the lives of often forgotten heroines..." - williamette week
"a unique film with a fascinating lighthouse-keeper heroine..." - indiewire
"a kind of synchronic beauty..." - culturecapital dc
"a unique film with a fascinating heroine who is as sturdy and distinctive as the maine coastline where the story takes place...” - ktvz

Z (1969)

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A pulse-pounding political thriller, Greek expatriate director Costa-Gavras’s Z was one of the cinematic sensations of the late sixties, and remains among the most vital dispatches from that hallowed era of filmmaking. This Academy Award winner—loosely based on the 1963 assassination of Greek left-wing activist Gregoris Lambrakis—stars Yves Montand as a prominent politician and doctor whose public murder amid a violent demonstration is covered up by military and government officials; Jean-Louis Trintignant is the tenacious magistrate who’s determined not to let them get away with it. Featuring kinetic, rhythmic editing, Raoul Coutard’s expressive vérité photography, and Mikis Theodorakis’s unforgettable, propulsive score, Z is a technically audacious and emotionally gripping masterpiece.

White Dog (1982)

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Samuel Fuller’s throat-grabbing exposé on American racism was misunderstood and withheld from release when it was made in the early eighties; today, the notorious film is lauded for its daring metaphor and gripping pulp filmmaking. Kristy McNichol stars as a young actress who adopts a lost German shepherd, only to discover through a series of horrifying incidents that the dog has been trained to attack black people, and Paul Winfield plays the animal trainer who tries to cure him. A snarling, uncompromising vision, White Dog is a tragic portrait of the evil done by that most corruptible of animals: the human being.