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Tuesday, June 3, 2025

David Grubbs and Ryley Walker - 2021 - Fight or Flight Simulator

 

Christoph Heemann & Jim O'Rourke - 2011 - Plastic Palace People Vol. 1

 

Streamline – Streamline 1028  265.57MB FLAC

Christian Fennesz and Jim O'Rourke - 2016 - It's Hard for Me to Say I'm Sorry

 

Editions Mego – EMEGO 221  211.79MB FLAC

Carlos Giffoni / Lee Ranaldo / Jim O’Rourke - 2004 - North Six

 

Antiopic – AN005  138.26MB FLAC

Jim O'Rourke / Brunhild Ferrari - (2020) Le Piano Englouti

 

 Black Truffle ‎– BT055 

Le Piano Englouti (The Sunken Piano), the first collaboration between Brunhild Ferrari and Jim O’Rourke: two side-long realisations of Ferrari’s tape compositions recorded in concert at Tokyo’s SuperDeluxe in 2014, revised and mixed by O’Rourke in 2019.

The title piece weaves an immersive web of electronics, pre-recorded piano, and field-recorded sounds, including the raging Aegean sea, the tranquil atmospherics of a Japanese island, and the roar of a pachinko parlour. Far from a slice of audio vérité, these geographically distant sites intermingle in an unreal space where they often become indistinguishable. Shadowed by electronics and reverberant snatches of piano, the field recordings rise up and recede like ocean waves, creating a constantly shifting texture that is nonetheless warmly inviting. Chirping birds are confused with their electronic doubles; snatches of footsteps and voices are engulfed by ambience of unclear origin. Increasingly present throughout the piece, the piano rises up one last time before being swallowed up for good by the pachinko parlour.

Tranquilles Impatiences (Quiet Impatiences) takes as its source material the electronic sounds produced by Luc Ferrari for his 1977 Exercises d’Improvisation, seven tapes intended to be heard alongside instrumental improvisation. Brunhild Ferrari’s piece layers Luc Ferrari’s sounds into a dense new work that emphasises the insistently pulsing rhythms of the source material. In this realisation with O’Rourke, the piece becomes a monumental sound-object, a slowly shifting mass of skittering electronic tones, shimmering reverb, and growling bass from which field-recorded events occasionally arise. At times, the placement of these fragments of real life in a pulsing, insistent musical landscape calls up Luc Ferrari’s classic Petit Symphonie; at other points, the swarming electronics bring to mind O’Rourke's Steamroom work or even the vast expanses of Roland Kayn.

Ambarchi, Oren & Keith Rowe - 2006 - Squire

 

For 4 Ears – CD 1762  193.12MB FLAC

Ambarchi, Muller, Samartzis - 2004 - Strange Love

 

For 4 Ears – CD 1448  236.87MB FLAC

Ambarchi, Fennesz, Pimmon, Rehberg, Rowe - 2000 - Afternoon Tea

 

Ritornell – RIT 14  201.60MB FLAC

Ambarchi, Fell, Guthrie, Shalabi - 2019 - Oglon Day

 

ThirtyThree ThirtyThree Records – TTTT002  161.39MB FLAC

Fire! Oren Ambarchi - 2012 - In The Mouth a Hand

 

Rune Grammofon – RCD2130  436.04MB FLAC

Fire! - 2016 - She Sleeps, She Sleeps

 


Rune Grammofon – RCD 2178  243.22MB FLAC

Fire! Jim O'Rourke - 2011 - Released!

 

Rune Grammofon – REP2120  87.30MB FLAC