A full length recording of V. SINCLAIR's strongest works, comprised of material previously released on a trilogy of tapes: The Veiled Garden, The Bell Tower and The Cloistered Estuary. Taken separately these recordings provided distraction and intrigue, together they transform into a mood-altering, weightless hour of tempered industrial and ambient.
1st tape of static yet multilayered noise sounds. Intense themes, not for the young or easily offended.
3rd tape of static yet multilayered noise sounds. Intense themes, not for the young or easily offended.
2nd tape of static yet multilayered noise sounds. Intense themes, not for the young or easily offended.
4th tape of static yet multilayered noise sounds. Intense themes, not for the young or easily offended.
5th and possibly final tape of Silence Of Vacuum. Unlike previous tapes, it's more varied content. Style has remained close to the same since first tapes of project. Minimal electronic sound walls, where changes happen only on level of details, while overall sound is utterly static. Perhaps notch more variation here, also due tape including 4 tracks, one being complete live set from Lahti/ Finland, 2014.
In keeping with one of the label's unofficial priorities, PR is proud to release work from another of Syracuse's former residents. Ryan Martin, best known for his work in York Factory Complaint, On a Clear Day, and co-operating Dais Records, is the sole composer behind Copley Medal and has amassed a slew of stellar releases in this past year. Teskind is no exception, presenting a beautiful side-long exploratory modular piece for the title track. Following that are two movements of trademark tense electronics to close out. Beautiful work from an ever-engaging project.
