Infrastition – End 016
A limited edition, 3-CD box set of The Revolutionary Army Of The Infant
Jesus's "The Gift Of Tears" (1987, Probe Plus), "Mirror" (1990, Probe
Plus), and "A Rumour Of Angels" which appears to be unique to this box
set: the first cut is from a VA compilation, Jekura - Deep The Eternal
Forest; 2, 3 & 4 are from the EP, La Liturgie Pour La Fin Du Temps;
5, 6 &7 are from the EP Paradis (and cuts 6 & 7 were mislabeled
in production with 7 being 6 and 6 being 7; 8 & 9 are from "Beauty
Will Save The World."
This is similar to the 1994 compilation on Apocalyptic Vision with the
exception which had only two disks and took three songs from La Liturgie
Pour La Fin Du Temps to round out the second disk.
"After The End" is a remastered compilation.
--
When The Revolutionary Army of the Infant Jesus turned up in the
late-’80s Liverpool underground with The Gift of Tears, the critical
lexicon to describe their sound didn’t quite exist. European folk
influences are infused by Eastern Orthodox spirituality, industrial
cacophony, disco beats, post-punk angularity and jazz rhythms. A quarter
century later, we know RAIJ can be at least loosely associated with the
apocalyptic folk movement of acts such as Current 93, Death In June,
Dead Can Dance, Caroliner and Wovenhand.
But RAIJ reside even on the perimeter of that fold, not only for the
imagery they invoke, but the enigma lying at their heart: no personnel
listings, limited edition releases, not exactly reams to be read about
them on the web and the way their disparate sound coheres over the
course of an album as an enveloping, immersive experience transporting
the listener to an alternate reality, where plainsong and operatic
flights of vocal fancy met tribal drums, didgeridoo and some of the
harshest of synth sounds.
After The End’s three CDs collect Gift and everything else RAIJ studio
recorded (including two new tracks) in packaging handsome enough to pass
for a Harmonia Mundi compilation of pre-Baroque classical music. The
only things that might have made this more wonderful would have been
lyrics, reminiscences from the Army themselves, a longer booklet essay
and a video of at least one of their rare, multimedia-abetted concerts.
But any more than what’s here might dissipate the mystery that’s always
been a goodly percentage of The Revolutionary Army of the Infant Jesus
raison d’être.

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