Editions Mego – EMEGO 249
Hence is the third collaborative release from Oren Ambarchi and Jim
O’Rourke, following on from 2013’s Behold. Building on the refined
combination of electronics and acoustic instrumentation found on their
previous releases, Hence presents two side long pieces combining
synthesizers, heavily effected guitar tones, and tabla rhythms played by
special guest U-zhaan. On the first side, an explosive opening chord
sends out ripples of sparse, irregularly pulsing guitar and synthesizer
tones, aleatorically changing in pitch and jumping around the stereo
image. Combined with the tabla, which gradually builds in busyness
throughout the side, the piece is like a dream collaboration between
David Behrman and the Henry Kaiser of It’s a Wonderful Life, gradually
overtaken in its second half by a swarm of lush live electronic sizzle.
The second side begins in a similar area, combining tabla, shimmering
Leslie cabinet guitar tones, and a wandering melodic line. Undergoing a
series of subtle variations, this initial area eventually builds to a
climax of twittering synthesized birdsong reminiscent of Alvin Curran’s
70s work. As on the first side, Ambarchi and O’Rourke craft a piece that
is both comforting and subtly strange, as the constantly shifting
dynamics and changes of focus (which recall the flow of improvised
music) refuse to allow the music to settle into any one moment for too
long or to build in too linear a fashion. Combining influences from
post-minimalism, the pioneers of live electronics, and eastern music
into a unique sound world, Hence is a seductive work from two of the
most singular sensibilities in contemporary music.
Oren Ambarchi - guitars etc
Jim O'Rourke - synths etc
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U-zhaan - tabla
Recorded & Mixed at Steamroom, Tokyo 2016
Additional recording at SuperDeluxe, Tokyo, Nov 10, 2015 by Masahide Ando
Cut by Rashad Becker at D&M, Berlin, September 2017
Photos by Traianos Pakioufakis
Sleeve/type design by Stephen O'Malley
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