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Saturday, March 4, 2017

Pleasure Island & Chaperone - (2017) Point Breeze CS

Lime Lodge ‎– LL006 
 Split c42 of rusted and hissing electronics from Philadelphia.

Pleasure Island - (2016) Flower Of Life CS

Winter Cross ‎– WX10 
 

Consolat - (2017) ST CS

.madriguera. ‎– mdrgr001 
 "Debut release by Consolat from Puerto Rico. Four compositions made of eroded textures from moldering tapes, feedback progressions as distant harmonies, erratic rhythms and pulsations, interference and superimposed live sets. A deserted tropical landscape inhabited by crumbling transmissions."

Passion Altar - (2016) ST CS

Strange Material ‎– sm-07
Toronto cold cement electronics. Utilizing elements of ambient, musique concrete and power electronics, this contemplative debut release is best marked by its use of field recordings, low end dirge, feedback and lush string synth arrangements. Reflection on urban setting and the process of discovering one's intended role in the endless film.
First edition of 42, matte black cassette with red leader and rose label, single-sided rose paper four panel j-card cover.

Semănat - (2016) Argilă 2xCS

III Arms ‎– IIIA09 
Country: Lithuania
Reissue of first two cassettes, recorded in 2013.
Limited edition of 30 copies.

Hanged Mans Orgasm - (1997) Frenzy 7''

SAM-01
Series: Murder Series – Case History Number One
Series of twelve vinyl 7"s focused on true crime cases, this is the first. 
Released and curated by Self Abuse Records. 

Thursday, March 2, 2017

Akira Ifukube - (2014) Godzilla LP

Death Waltz Recording Company ‎– DW024

Released back in 1954, the Ishiro Honda-directed film was inspired by the success of monster films such as 'The Beast from 20,000 Fathoms' and remains the definitive version of Godzilla despite some ham-fisted attempts from Hollywood in subsequent years. This edition is the first time Akira Ifukube's 1954 score has been made available on vinyl, with Death Waltz granted access to remaster the music from the source material by the film's production company Toho. If you've seen the film itself you'll know Ifukube's score is an exercise in intensity and it sounds superb in newly remastered form. The cover art from Cheung Chung Tat is equally impressive.