VA - (1984) Street Beat Volume II 2xLP

Tracklist:
A1 Grandmaster Melle Mel & The Furious Five - The Message
A2 West Street Mob - Let's Dance (Make Your Body Move)
A3 Sugarhill Gang - Rapper's Delight
B1 The Sequence - Funk You Up
B2 Treacherous Three - Feel The Heartbeat
B3 Sugarhill Gang - 8th Wonder
C1 Grandmaster Melle Mel & The Furious Five - Freedom
C2 Sugarhill Gang - Apache
C3 The Furious Five Meet Sugarhill Gang - Showdown
D1 The Mean Machine - Disco Dream
D2 Trouble Funk - Hey Fellas (Long Version)
D3 The Crash Crew - On The Radio

VA - (1982) Teardrop Time LP

Tracklist:
A1 Sonny Til & The Orioles - Crying In The Chapel   
A2 Gerry & The Pacemakers - Don't Let The Sun Catch You Crying   
A3 Timi Yuro - Hurt   
A4 B.J. Thomas - I'm So Lonesome I Could Cry   
A5 Johnnie Ray - The Little White Cloud That Cried   
A6 The Shirelles - Will You Love Me Tomorrow?   
B1 Ray Peterson - Tell Laura I Love Her   
B2 Little Anthony & The Imperials - Goin' Out Of My Head   
B3 Pat Boone - I Almost Lost My Mind   
B4 Sandy Posey - Single Girl   
B5 Etta James - All I Could Do Was Cry   
B6 J. Frank Wilson - Last Kiss

Public Disturbance - (2015) S+M 7''

Fan club edition of this highly sought after single originally released on the legendary Mutha Records imprint, which you may remember as the home of the almighty Chronic Sick. If Chronic Sick floats your boat it's a good bet that Public Disturbance will do the same... they have a similar stew of notable qualities, including potentially offensive lyrics and artwork, a sound built around bruising, amped-up take on 70s punk, and simple, stinging leads that totally make the songs. As with similarly-sourced recent "fan club editions" from Suicide Squad and Nasty Facts, this is one of those repros that is clearly produced with care and attention to detail and it looks and sounds great.

Foiled - (2013) In Denial CS

Drugs and violence and crime. The rawest, most desperate power violence drowning in harsh noises.

Iron Omen - (2009) In Solitude CS

Power electronics/ horror noise by Andrew Coltrane on Hermitage Tapes.

XHOSTAGEX - (2012) Relentless Persecution CS

Recorded 2/4/2013 by Jason Gluck (Brainsplitter Studios, Oakland, CA) Released on cassette (HC-0023) by Hash Crimes LLC. 3 piece power violence/ grind out of Oakland, CA.

Francesco De Masi - (2013) The New York Ripper LP

Directed and co-written by Lucio Fulci, the film is about a psychopathic knife-wielding killer that sports a grotesque duck voice. It was originally released in 1982, but was banned in many countries because of its gratuitous violences and nudity. The score of the film was done by the Italian composer Francesco De Masi, combining elements of disco funk and Latin music. De Masi manage to capture the sleazy pre-Disney clean up of New York perfectly with the use of moody sax breaks and a 42nd street atmosphere. The LP comes pressed on 180-gram  green & yellow duck vinyl house in a heavyweight casebound tip-on Jacket. The LP also includes a poster and 4 page booklet with exclusive liner notes by Stephen Thrower and Nick Percival.

The New York Ripper

H100s - (1994) Dismantle 12''

Campbell said ''Dismantle must be one of the greatest punk records of the 90's. Filthy sounding misanthropic hardcore punk amongst a sea of white wndbreakers, krishna beads and back packs.  In fact dismantle is my favorite US punk record of the 90s (yep I prefer it to infest, no comment, citizens arrest or whatever else you can come up with). The vocals are so wild and the riffs are killer. What else would I want from a hardcore punk record.''

H100s - (2010) Live In Cleveland 1995 LP

H-100's live April 2nd, 1995 at Peabody's Down Under in Cleveland, Ohio

No! No! No! Believe it or not this isn't another shitty live punk record to cash in on all of you gay hardcore collector nerds! I've been holding this baby in my greasy mitts for almost 15 years. It is one of my all time favorite live punk recordings. This is a record that captures a band in it's truest, rawest form. Call it part luck, call it what you will. In my opinion, this live H-100's recording not only sounds better than all of their studio recordings previously released, it also captures the tension, humor, hatred and brilliance of these mongoloids perfectly. There's been thousands of paint by the numbers hardcore bands in the last 25 years, but a band this original comes along once a decade, if ever. They broke the mold!

Ironically, the lineup for this gig was Integrity, 25 Ta Life, Apt. 213, One Life Crew (2nd show) and H-100's. Talk about not fitting in. But that's how it was back them. Enjoy this Fucker! Let me contradict myself for a second. Hey collector nerds! There are only 500 made (200 on shit brown vinyl, 300 on black) so get it now!!! Hand silk screened covers. It will never happen again.

Sexual Milkshake - (1992) ST LP

Formed in the late 1980s in Harrisonburg, VA, Sexual Milkshake originally consisted of three members: Sexua, Lmil, and Kshake (also known as Greg Allen, Chris Callahan, and Todd/Rusty Massie, respectively). Their musical philosophy could best be summed up in a comment Greg Allen once tossed off: "Tune schmoon, just play!" Too dumb to be called art rock and too smart to be called retarded rock, Sexual Milkshake walked the fine line that separated clever and stupid. The only conventional aspect of this band was the fact that they lived out the alt rock cliché of having a female bassist, a role originally filled by Ame Dread and later by Jill Murphy. After releasing a 7" on the influential Teenbeat label, they went on to release a full-length CD and LP titled Sing Along in Hebrew on the same label. Sexual Milkshake deserves a place in the footnotes of rock & roll history for their extravagant product packaging as much as their twisted musical creations. For example, their lead singer invented what he dubbed the "Gregtar," an unwieldy monstrosity of a guitar that was comprised of two guitar bodies attached to both ends of a guitar neck. Each end contained a separate pickup that could be plugged into a different amplifier. Sexual Milkshake are also noteworthy because their CD and LP are among the most lavishly packaged albums of all time. Sing Along in Hebrew contains a 12-page tabloid-sized booklet, chopsticks, a 3-D poster of the band, 3-D gorilla glasses with a scratch & sniff banana, a '60s-style nudie matchbook, a mermaid drinking glass companion, and -- oh yeah -- the record. After a moderately successful four-year career, the band stopped playing together in 1993. Drummer Chris Callahan co-founded Blast Off Country Style in 1992, and Todd/Rusty Masse formed the Gollypops with fill-in Sexual Milkshake bassist and ex-Blast Off Country Style member Phil Sweeney.

VA - (1995) Punk TV LP

Tracklist
A1 Rail - Josie And The Pussycats    
A2 Themack - Reading Rainbow    
A3 Less Than Jake - Laverne And Shirley    
A4 Hellbender - Zorro    
A5 Christie Front Drive - Mary Tyler Moore Show    
A6 Friction - Happy Days    
A7 The Bowzers - The Monkeys    
B1 Nenna Foundry - Love American Style    
B2 Cap'n Jazz - Beverly Hills 90210    
B3 Horace Pinker - Laverne And Shirley    
B4 Braid - Bosom Buddies    
B5 Lynyrd's Innards - Silver Spoons    
B6 The Larry Brrrds - Fame    
B7 Zoinks! - Greatest American Hero    
C1 Less Than Jake - The Dukes Of Hazzard    
C2 Less Than Jake - The Jeffersons    
C3 Propagandhi - Degrassi Jr. High    
C4 F.Y.P. - Three's Company

Gene Page - (1977) Close Encounters Of The Third Kind 12''

Gene Page recorded several albums, with the 1978 Arista LP Close Encounters being the most successful. The title track, a disco cover of the John Williams theme from the 1977 Steven Spielberg/ Richard Dreyfuss movie, charted at number 30 R&B in early 1978. 

After an encounter with UFO's, a line worker feels undeniably drawn to an isolated area in the wilderness, where something spectacular is about to happen.

Rick Wakeman - (1977) White Rock LP

This was the soundtrack to a motion picture documentary of the same name of the 1976 Innsbruck Winter Olympic Games. It features only Wakeman's huge assortment of keyboards and drummer Tony Fernandez, with a choir on two tracks. It's a fine album with many moods, from the rocking title track to the stately "After the Ball" to the sprightly "Montezuma's Revenge," Wakeman's arrangement of some Hungarian Gypsy music. His piano throughout is exquisite.