DIGITAL REGRESS – 041
Digital Regress's foray into the fabled NZ underground hops over to the
North Island for two exquisite pieces of acoustic DIY and shadowy,
cracked pastoralia. After a few years spleen venting at the front of
Wellington art brutes SHOES THIS HIGH, BRENT HAYWARD struck out on his
own, self-releasing a few EPs as SMELLY FEETt before forming THE KIWI
ANIMAL with JULIE COOPER in 1982. The duo released their first album,
Music Media, on Massage Records (their own imprint) in 1984. With the
addition of PATRICK WALLER on cello and sundry other instruments, 1985's
Mercy finds an augmented Kiwi Animal trying on what at first glance is a
more refined, melancholic sound. But the group's experimental bent,
largely restrained on Music Media, soon shows its hand. Pinprick ur-folk
guitar themes, blinking on and off, buffeted by radio interference and
toy piano; woozy bedsit slow-burns; the arresting croak of Hayward's
penpal, William S. Burroughs; even a foray into dosed synth-pop: MERCY
presents a unique yield of fraying, autumnal DIY songcraft. The music of
The Kiwi Animal, moody and intelligent and often abruptly gentle, works
subcutaneously, propelled by guitars that churn and weave – no jangle
here – and a his 'n' hers vocal delivery for the ages. Digital Regress
is happy to make these essentially perfect records available again.

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