Dracula: Dead and Loving It (1995)

 

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Dapper Count Dracula (Leslie Nielsen) relocates from his Transylvanian castle to Victorian London with his slavish assistant, Renfield (Peter MacNicol), in search of new blood. He finds it in a pair of beautiful young women, Mina (Amy Yasbeck) and her best friend, Lucy (Lysette Anthony). When Mina's straitlaced fiancé, Jonathan (Steven Weber), notices his future bride's odd behavior, he calls in his mentor, vampire hunter Van Helsing (Mel Brooks), to save the day.
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Dracula: Dead and Loving It is a 1995 gothic comedy horror film directed by Mel Brooks and starring Leslie Nielsen. It is a spoof of Bram Stoker's novel Dracula and of some of the films it spawned.

Brooks co-authored the screenplay with Steve Haberman and Rudy De Luca. He also appears as Dr. Van Helsing. The film's other stars include Steven Weber, Amy Yasbeck, Peter MacNicol, Harvey Korman, and Anne Bancroft.

The film follows the classic Dracula (1931), starring Bela Lugosi, in its deviations from the novel. Its visual style and production values are reminiscent of the Hammer Horror films. It spoofs, among other films, The Fearless Vampire Killers (1967) and Bram Stoker's Dracula (1992).

As of 2021, it is the last movie to be directed by Mel Brooks, and the second to last co-written by Brooks (he would co-write the screenplay for the 2005 film adaptation of his musical, The Producers).

The Beastmaster (1982)

 

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A sword-and-sorcery fantasy about a young man's search for revenge. Armed with supernatural powers, the handsome hero and his animal allies wage war against marauding forces.

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The Beastmaster is a 1982 sword and sorcery film directed by Don Coscarelli and starring Marc Singer, Tanya Roberts, John Amos and Rip Torn. Loosely based on the 1959 novel The Beast Master by Andre Norton, the film is about a man who can communicate with animals, and who fights an evil wizard and his army.

Commercially The Beastmaster was not considered a box office success during its original cinematic run; however later it received extensive television exposure and success on cable in the American market on channels TBS, TNT, and HBO. The original film spawned two sequels as well as a syndicated television series that chronicled the further adventures of Dar.

Beauty And The Beast (1946)

 

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Jean Cocteau’s sublime adaptation of Mme. Leprince de Beaumont’s fairy-tale masterpiece—in which the pure love of a beautiful girl melts the heart of a feral but gentle beast—is a landmark of motion picture fantasy, with unforgettably romantic performances by Jean Marais and Josette Day. The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder.

Beasts Of No Nation (2015)

 

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The nightmare of war is seen through the eyes of one of its most tragic casualties—a child soldier—in this harrowing vision of innocence lost from Cary Joji Fukunaga. Based on the acclaimed novel by Uzodinma Iweala, Beasts of No Nation unfolds in an unnamed, civil-war-torn West African country, where the young Agu (Abraham Attah, in a haunting debut performance) witnesses carnage in his village before falling captive to a band of rebel soldiers led by a ruthless commander (an explosive Idris Elba), who molds the boy into a hardened killer. Fukunaga’s relentlessly roving camera work and stunning visuals—realism so intensely visceral it borders on the surreal—immerse the viewer in a world of unimaginable horror without ever losing sight of the powerful human story at its center.

Elevator To The Gallows (1958)

 

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For his feature debut, twenty-four-year-old Louis Malle brought together a mesmerizing performance by Jeanne Moreau, evocative cinematography by Henri Decaë, and a now legendary jazz score by Miles Davis. Taking place over the course of one restless Paris night, Malle’s richly atmospheric crime thriller stars Moreau and Maurice Ronet as lovers whose plan to murder her husband (his boss) goes awry, setting off a chain of events that seals their fate. A career touchstone for its director and female star, Elevator to the Gallows was an astonishing beginning to Malle’s eclectic body of work, and it established Moreau as one of the most captivating actors ever to grace the screen.

The Bitter Tears Of Petra Von Kant (1972)

 

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In the early 1970s, Rainer Werner Fassbinder discovered the American melodramas of Douglas Sirk and was inspired by them to begin working in a new, more intensely emotional register. One of the first and best-loved films of this period in his career is The Bitter Tears of Petra von Kant, which balances a realistic depiction of tormented romance with staging that remains true to the director’s roots in experimental theater. This unforgettable, unforgiving dissection of the imbalanced relationship between a haughty fashion designer (Margit Carstensen) and a beautiful but icy ingenue (Hanna Schygulla)—based, in a sly gender reversal, on the writer-director’s own desperate obsession with a young actor—is a true Fassbinder affair, featuring exquisitely claustrophobic cinematography by Michael Ballhaus and full-throttle performances by an all-female cast.

Your Name. (2016)

 

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Your Name (Japanese: 君の名は。, Hepburn: Kimi no Na wa.) is a Japanese animated romantic fantasy film produced by CoMix Wave Films and released by Toho. It depicts a high school boy in Tokyo and a high school girl in the Japanese countryside who suddenly and inexplicably begin to swap bodies.

The film was commissioned in 2014, written and directed by Makoto Shinkai. It features the voices of Ryunosuke Kamiki and Mone Kamishiraishi, with animation direction by Masashi Ando, character design by Masayoshi Tanaka, and its orchestral score and soundtrack composed by Radwimps. A light novel of the same name, also written by Shinkai, was published a month prior to the film's premiere.

Your Name premiered at the 2016 Anime Expo in Los Angeles on July 3, 2016, and was theatrically released in Japan on August 26, 2016, and in the United States on April 7, 2017. The film was critically acclaimed, with praise for the animation, music, and emotional weight. The film grossed over ¥41.44 billion (US$380.15 million) worldwide, breaking numerous box office records, including becoming the third highest-grossing anime film of all time, unadjusted for inflation.

The film won Best Animated Feature at the 2016 Los Angeles Film Critics Association Awards, 49th Sitges Film Festival, and as the 71st Mainichi Film Awards, and nominated for Best Animation of the Year at the 40th Japan Academy Prize. As of 2021, a live-action American remake by Paramount Pictures is in development.

Shirley Temple Pack Vol. III

 

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Vitalina Varela (2019)

 

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A work of deeply concentrated beauty, the latest film from Portuguese master Pedro Costa stars nonprofessional actor Vitalina Varela in an extraordinary performance based on her own life. She plays a Cape Verdean woman who, after two decades of separation, travels to Lisbon to reunite with her husband—only to arrive mere days after his funeral. Alone in a strange, forbidding land, Vitalina perseveres and begins to establish a new life. Winner of the Golden Leopard for best film and best actress at the Locarno Film Festival, VITALINA VARELA is a tour de force of shadow and whisper, a ravishing visual experience and a profoundly moving tale of human endurance.

Withnail and I (1986)

 

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London. The 1960s. Two unemployed actors—acerbic, elegantly wasted Withnail (Richard E. Grant) and the anxiety-ridden "I" (Paul McGann)—drown their frustrations in booze, pills, and lighter fluid. When Withnail's Uncle Monty (Richard Griffiths) offers his cottage, they escape the squalor of their flat for a week in the country. They soon realize they’ve gone on holiday by mistake when their wits—and friendship—are sorely tested by violent downpours, less than hospitable locals, and empty cupboards. An intelligent, superbly acted, and hilarious film, Bruce Robinson’s semi-autobiographical cult favorite is presented here in its complete and uncut version.

Under the Roofs of Paris (1930)

 

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In René Clair's irrepressibly romantic portrait of the crowded tenements of Paris, a street singer and a gangster vie for the love of a beautiful young woman. This witty exploration of love and human foibles, told primarily through song, captures the flamboyant atmosphere of the city with sophisticated visuals and groundbreaking use of the new technology of movie sound. An international sensation upon its release, Under the Roofs of Paris is an exhilarating celebration of filmmaking and one of France's most beloved cinematic exports.

Sink Or Swim (1990)

 

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Through a series of twenty six short stories, a girl describes the childhood events that shaped her ideas about fatherhood, family relations, work and play. As the stories unfold, a dual portrait emerges: that of a father who cared more for his career than for his family, and of a daughter who was deeply affected by his behavior. Working in counterpoint to the forceful text are sensual black and white images that depict both the extraordinary and ordinary events of daily life. Together, they create a formally complex and emotionally intense film.

Sunday Bloody Sunday (1971)

 

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John Schlesinger followed his iconic Midnight Cowboy with this deeply personal take on love and sex. Sunday Bloody Sunday depicts the romantic lives of two Londoners, a middle-aged doctor and a prickly thirtysomething divorcée—played with great sensitivity by Peter Finch and Glenda Jackson—who are sleeping with the same handsome young artist (Murray Head). A revelation in its day, this may be the seventies’ most intelligent, multitextured film about the complexities of romantic relationships.

To Keep The Light (2016)

 

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Inspired by true stories, a lighthouse keeper's wife struggles with her work and her sanity as she cares for her sick husband in 19th century Maine.

Or, just listen to the "Press":

“fae’s film displays a gift for both masterful composition and mesmerizing drama as she imparts this involving story of an embattled woman relegated to the fringes of society but determined to be respected.” - women in film & tv vancouver
"a truly exquisite film... portraying the challenges that come with cracking the glass ceiling..." - vox magazine
"from start to finish... a work by a visionary artist" - fipresci 
"a purity of style, a remarkable sense of place and time, that seems long matured and yet the beginning of something new and exciting... the revelation of a new directing talent.” - camera lucida
“a gripping portrait... wonderfully mysterious... fae’s abbie is an entrancing blend of delicacy and strength... just stunning.” - santa fe new mexican 
"beautifully shot, building tension against the harsh landscape... fae proves to be a true new talent.” - nashville scene
"gorgeously shot and intimately written... mesmerizing... a stunning portrait... it’s easy to see why fae has rightfully been anointed as an emerging talent." - the washingtonian
"quietly mesmerizing...the film takes on an ingmar bergman feel in the second half... its beauty and confidently methodical pacing..." - orlando weekly
"with this her first feature film, i sincerely hope fae continues her work in the cinematic arts... an early candidate for my top films of 2016.” - cinema365
"a poignant expression of the ignored and uncredited contribution of women in the 1870s..." - the maneater
"weds stunning visuals to the compelling story of a lighthouse keeper’s wife caring for her husband, their home and herself...” - columbia tribune
"a glimpse into the lives of often forgotten heroines..." - williamette week
"a unique film with a fascinating lighthouse-keeper heroine..." - indiewire
"a kind of synchronic beauty..." - culturecapital dc
"a unique film with a fascinating heroine who is as sturdy and distinctive as the maine coastline where the story takes place...” - ktvz