Herz Juhning - (2018) Samsara LP

Galakthorrö ‎– 045

A nightmarish work in which Herz Jühning is also reborn. In his new life he has climbed to a higher level: Herz Jühning’s sound is now denser and perfected, but remains concentrated and fundamental. He possesses the rare ability to combine effectively voice and abstract elektroniks, nothing appears random. This results in not just Tracks, but Hits, also contained on Samsara. So enjoy a masterful mixture of Angst Pop, fragmented Power Electronics and “Old-School” Industrial of the darkest kind.

Lil Tracy (Yung Bruh) & Mexikodro

Self Released ‎– 00none

LazyGod - (2020) UNDERWORLD LEGEND VOL. 1

Mixtape ‎– n0ne

Fern - (1980) The Beginning Of The End CS

Post Mortem Rekordings ‎– 010

Everyday Loneliness - (2010) An Error In Judgement CS

Ekhein ‎– 038

Gabestok - (2019) Tre 12''

 Strange Aeons Records ‎– 001

Flammentod - (2003) Morpheus Armen entrissen CS

Blutvergiessen Productions ‎– 005

Drakonhail / Belzebuth - (2011) Ceux qui Voient dans la Nuit CS

Zinarthan Productions ‎– 013

Hunting Lodge - (1983) Exhumed CS

Datenverarbeitung ‎– 023

Konstruktivists - (2009) Flowmotion Years 2xLP

 Vinyl-on-demand ‎– 069 

Dark-Ambient / Ritual-Project Konstruktivists was formed by mastermind Glenn Michael Wallis in 1981/82 out of the ashes of Heute. Around this time - in the late 70's/early 80's Glenn Michael Wallis was heavily involved with Throbbing Gristle, the U.K. pioneers of "Industrial". Between 1980 and 1982 Glenn/Konstruktivists has recorded several tracks of which one solo-tape and several Konstruktivists-Tapes found release in extremely rare and limited edition on the legendary Tape-Label Flowmotion. Almost 2 hours of those early works are compiled on this double-Lp including his full solo-work (also released as Konstruktivists Vol.1) as well as Tracks from Vol.2 and other tracks released between 1980 and 1982

Limp Wrist - (2017) Facades LP

La Vida Es Un Mus ‎– 148

Nearly 20 years ago, Martin Sorrondeguy, frontman for Chicago DIY hardcore legends Los Crudos, formed Limp Wrist, a confrontational queercore band that also features members of underground punk staples like Devoid Of Faith and Hail Mary. (They practice in Philadelphia, but all four members live in different cities.) Over the years, Limp Wrist have been only intermittently active; their last album was a self-titled 12″ that came out in 2009. But now, Limp Wrist have returned with a frantic, pummeling new album called Facades. It’s raw, urgent old-school hardcore, and the lyrics are defiantly, explicitly sexual. (One chorus: “Come and get my seed!”) There’s also an entirely unexpected development near the end of the album: House music! This record fucking rules! 

Jacob Winans - (2019) Delaware CS

No Rent Records ‎– 126

Leroy Troy - (1993) Backroads CS

 Bos Records ‎– none 

I recently received three tapes from an unusual young performer. Unusual in the sense that a very talented person chose to keep alive the music, style and entertainment of one of the great old-timers. Leroy Troy has patterned his show and performing after the first featured performer on the Grand Ole Opry. Not a small feat but one this young man has done admirably. If you have seen him on Hee Haw you can appreciate his Uncle Dave Macon act — all the way down to the mannerisms and banjo tricks of the old man. Unfortunately you can't see all of this on the cassette, but all the rest is there. The Macon-style pickin', the songs and the humor that comes through.

Lee Moses - (2019) How Much Longer Must I Wait? Singles & Rarities 1965-1972 CD

Future Days Recordings ‎– 635 

After reissuing his much sought-after Time and Place LP, many questions still remained (Lee was a mysterious man!) – but the one asked most was, “where’s “Bad Girl”?!” Not included on his lone LP, “Bad Girl” is an undisputed Southern soul classic – arguably the song Lee Moses’ legacy rests on. While we may never know all we wish we knew about the man behind the music, we can finally complete the picture of his work. You know – the tunes! And what tunes they are.
How Much Longer Must I Wait? Singles & Rarities 1965-1972 collects all of Lee Moses’ non-album singles and B-sides, plus three never-released tracks together for the first time ever. Most of the material here pre-dates 1971’s Time and Place, reflecting his initial bid for stardom via a series of now-legendary 45s recorded with Atlanta producer Johnny Brantley. As for the unreleased recordings – much like the man himself, little is known about them. What remains is an oeuvre that has become synonymous with raw and emotionally charged Southern soul. Essential listening for anyone with a heart.

Lumpy And The Dumpers - (2016) Huff My Sack LP

ANTI FADE records ‎– 031

If any band was to be calling an album Huff My Sack in 2016, it was going to be Lumpy and the Dumpers. Some of the St Louis band’s previous efforts have been Sex Pit and Gnats in the Pisser and their early demo contained the now classic “Face the Meat”, where main man Martin ‘Lumpy’ Meyer shrieked in a Level 4 type domestic clown/terrorism alert, “One of these days you’re going to face the meat.”
“Numbing Agent”, a track from Huff My Sack, sees more of the excellent puerile and power punk from the Gateway City.
Released on Geelong label Anti-Fade, it’s come out just in time for the band’s upcoming ‘Layin’ Pipe in Oz’ Australian tour where the Dumpers will be playing a bunch of shows Down Under including a couple with Dumpers spin off band Cal and the Calories.

Nurse With Wound • Graham Bowers - (2011) Rupture CD

 United Dirter ‎– 093

This CD is the first collaboration of Steven Stapleton's Nurse With Wound and composer/sculptor Graham Bowers. It is, without doubt, one of the best things we have ever released. It's an extremely unnerving, but also hauntingly moving listening experience.The work is an attempt to create a musical illustration of the "goings-on" in the brain during the last hour and three minutes of a life after suffering a major stroke. It is multi-layered and is primarily concerned with the internal chaos caused by the loss of control of thought processes, responses and consequential actions, with all types of incoherent disjointed memories and present real time events - as well as moments of lucidity, panic and fear - clashing, merging and evolving.It's essentially one long piece, but is presented in three parts:
1/ "...a life as it now is 2/...is not what it was 3/...and will never be again". It arrives packaged in a beautiful 6 panel gloss laminated digipac, featuring artwork from both Babs Santini and Graham Bowers. The edition is limited to just 1000 copies in this format.

Rupture
A collaboration between Nurse With Wound (Steven Stapleton) and Graham Bowers

Tracks : (i)"...a life as it now is, (ii) ... is not what it was, (iii) ... and never will be again"

This work is an attempt to create a musical illustration of the ‘goings-on’ in the brain during the last hour and three minutes of a life after suffering a major stroke.

The piece is multi-layered and is primarily concerned with the internal chaos caused by the loss of control of thought processes, responses and consequential actions, with all types of incoherent disjointed memories and present real time events – as well as moments of lucidity, panic and fear – clashing, merging and evolving.

When the complexity of the human brain’s retained information and the inherent properties which constitute a‘life’, an ‘individual’, a ‘person’, are catastrophically damaged after blood – ‘life’s fuel’ – ruptures the previously organised and essential control centres, absolute mayhem follows.
The cold, hard indisputable truth, and one that we all have no alternative but to accept, is that:
“… a life as it now is, is not what it was, and never will be again”.

Steven Stapleton and Graham Bowers

The collaboration is a result of the chance meeting of Nurse With Wound's Steven Stapleton and Graham Bowers, both artists were appearing
at Bangor Sound City's first art/sound event 'Wet Sounds' curated by Joel Cahen located at the Bangor Swimming Pool, North Wales, in January 2011. Both were admirers of each others past works and felt that a collaboration on a new piece of work could be an interesting and exciting prospect, consequently 'Rupture' is the first full length work, and is released as a Double Vinyl album/LP, a CD and Download. The Vinyl album and CD are to be released through the Dirter.

Graham Bowers : www.red-wharf.com

Death Kneel - (2019) Adaptive Emotional Use LP

Total Black ‎– 128

"Death hides the angels it makes in blue skies"

Mastered by Grant Richardson.
Additional processing by Moss Harvest.
Thanks to Rita Mikhael, Brett Wagg, and Matt Harrison.

Chuck Palahniuk - Make Something Up Stories You Can't Unread

Audio ‎– B00K

Creep Of Paris - (2019) Geronticus Eremita CDr

 Chocolate Monk ‎–  445

Belzebuth - (2009) Vernamalus CS

Self-released ‎– none

Belzebuth - (2009) Vlohenarv 7''

 Zinarthan Productions ‎– 001

Belzebuth - (2018) ST CD

 France D'Oïl Productions ‎– 019

Belzebuth / Black Cilice - (2019) ST CS

Zinarthan Productions ‎– 004

Ratkiller - (2017) Dreamhammer CS

 Rotifer Cassettes ‎– 100

【DJ巫女】 - (2020) 「ひきこもり☆スタイル」

Liga do Vento Divino ‎– 008

Prurient - (2006) Point And Void

Ninth Circle Music ‎– 406

Les Rallizes Denudes - (2011) 13xCD

 Ignuitas ‎– 141

Part  ONE / TWO / THREE

 

90s-era LRD + the two live dates by Mizutani/ Doyle/ Toyozumi.

Pretty much the same tracklist as the Les Rallizes Denudes, Mizutani ‎- (2004) 1993-97 Live 12CDr, except that is missing the second half of the 1995/02/24 show. Hence the extra disc.

Lumpy & The Dumpers - (2014) Collection LP

Erste Theke Tonträger ‎– 023

From time to time, LUMPY AND THE DUMPERS prove themselves to be the terminus of the Slime Punk Express. Blown out and covered in slime, Lumpy gnashes his way through these 12 tracks about ghouls, gnats, piss, sex pits and bad breath. In the realm of screaming, searing "throbbing idiot punk" (as LUMPY calls it), this is gold. It's fast, it's vicious, and it does not give a fuck. Total raw, warped punk just like I love it! LUMPY AND THE DUMPERS sound exactly like what you'd imagine Ren & Stimpy's latin-jazz freakout band! This band is about the filth inside, which is not to be confused with the darkness, it's not mental anguish and black godlusts that are spewing forth here, just the natural logistics of flesh, the slippery smelly stuff, honesty of form in the chitterlings and the old shambles. Semi-solid beings playing songs of uncomfortable physicality. Wrap this whole package up in an absolutely gorgeous 2-color, screen-printed sleeve (art by LUMPY himself) and you have a 100% essential hardcore LP.