Professor - (1993) Academizer E.P. 7''

Epistrophy ‎– 001 

 

VA - (2014) Night Train To Terror - Music From The Motion Picture 7''

Vinegar Syndrome ‎– none, No Visible Scars ‎– Scar 035 

Leslie Hall - (2008) Zombie Killer 7''

Hefty Hideaway Inc. ‎– none 

Mortician - (1998) Zombie Apocalypse 7''

Relapse Records ‎– RR-036

Wither - (2008) ST 7''

Turannum Records ‎– SHADE 001

Harvey Milk - (2006) I Got A Love 7''

Mega Blade ‎– none, Troubleman Unlimited ‎– TMU7-179

Ancestors - (2014) In Death 7''

Youth Attack ‎– YA 91 

Zemial - (2009) I Am The Dark 7''

Hells Headbangers ‎– HELLS EP 035 

The Champs - (1995) Second 7''

Wäntage USA ‎– WANTAGE-008 

Battletorn - (2005) Villains 7''

Mega Blade ‎– MB2, Troubleman Unlimited ‎– TMU143

 

Nuit Noire - (2010) Delirant Fantaesy 7''

Three songs in the typical NN tradition of playing black metal informed pop-punk with a perfect sincere rawness. These songs fit in nicely with any later NN material and possess the same catchiness that Tenebras has been known to imbue his songs with.
Nuit Noire's message has always been naive, but by way of sheer stubbornness and purity of vision has become a very challenging group in the world of black metal. It definitely lacks many 'black' qualities but wears others so boldly that not many bands can be considered as honest in presenting youthful romanticism. NN is always polarizing but never fails in creating a guitar tone that seems to reach beyond this plane to the next. Typical release: xerox covers, insert, and all black vinyl limited to 200 copies.

Fäerical blasting punk. Less a genre, more an abstract impression of Nuit Noire: Blasting punk – an inimitable mixture of intense drumming and beautifully singular guitars. Natural, unrestrained, atypical vocals sing out in admiration of those Night creatures that light the darkness, aided only by moonlight shadows cast in the forest, hidden from all humanity.

White Medal - (2008) ST 7''

This vinyl EP was the first release from Yorkshire-based black metal band White Medal.
Side A contains ‘Chance’ (subtitled ‘Rebirth’) , which opens with a soft melodic guitar and bass intro, which is rapidly obliterated by blasting, ferocious riffing, hyper-distorted and compressed to the point where the drums are a muffled thudding, overlaid with a frenzied blur of guitar, and vicious screamed vocals melding with ambient keyboard drones into a whipping vortex of oblivion. There’s a melodic subtext just about barely discernible here, but you need to be listening out for it. To some extent, I was reminded of the English band Instinct, who deploy a similar blend of aggression and melody, but White Medal’s most obvious affinity is to black metal primitivists like Ildjarn, Beherit, Svartpest and Bone Awl.
Side B is ‘Northern Mist’ (subtitled ‘Raven's Dusk’), with a harsh cawing of ravens heard above the buzzsaw guitar at the outset, before the song develops into a similar entropic surge as ‘Chance’, with the vocals a shredded howl and the drums thoroughly buried, although there seems to be a metronome or click track audible at points. A couple of times, there’s a melodic hiatus before the riff surges back in like a riptide.

Cremation Lily - (2014) The End Of The Pier CS

Strange Rules ‎– RULE-064

VA - (1991) Sasquatch: The Man, The Myth, The Compilation 2x7''

Compilation with Lookout!/ Very Small/ Too Many Records master mind David Hayes as the cover star. * Side note: I don't have a scanner, I use a digital camera and sometime the covers get blurred or weird colors even though I use a color enhancing service.
Tracklist
A1 Victim's Family - Burly Jalisco    
A2 Sclong - Sore Thumb    
B1 Moral Crux - Soldier Boy    
B2 Moral Crux - American Cadaver    
B3 Cringer - For The Workers    
C  Nuisance - Big Sky    
D1 Nomeansno - I Don't Care
D2 Nomeansno - Glad All Over
 

23 More Minutes - (1991) A Place To Go 7''

23 More Minutes were from Santa Fe, NM. Keith played bass Tommy played drums Johnny played guitar.

Man Is The Bastard - (1993) Abundance Of Guns 7''

In stark contrast to other punk musicians, MITB made the move of displacing the electric guitar from its long reign as the primary instrument of punk aggression. In turn, they made room within their revolutionary spirit for progressive bass chords and scales, for industrial noise (field recordings and power electronics), and for member Henry Barnes’ “Amps for Christ” and homemade guitar reconfigurations.