Secular Identity - (2015) M. Salerno CS

Carnal opposites displayed in reverse. Favors exchanged for punishment. In search of release. In search of death. Nasty treats for nasty people. Rhythmic industrial & P.E. from Providence based SIDS

Painted Woman - (2015) 07.26.14 CS

Struggling to find footing somewhere between detachment & despondency, all events move forward while a single figure stays behind. Water needles' & the stiches split. AMR 1966.

Painted Woman - (2015) Painted Woman 4xCS

Complete works from this reclusive US power electronics unit. A crude mediation on violence & consequence. Originally issued as a 4 part series over the course of 9 months now stands complete leaving more questions then it set out to answer. A jagged assault of scrap metal & feedback abuse. Pure blunt industrial trauma.

Daisoujou - (2014) II CS

FORCE_XXXIV

Daisoujou - (2015) III CS

The third & final cassette in the Daisoujou trilogy, this latest piece brings forth the suffocating atmospheres layed down in their previous efforts while a seething industrial current works its way out from underneath.  Phantom rhythms mingle with sparce electronics and unheard melodies, obscured by bleak field recordings. Program repeats on both sides.

Dog Leather - (2011) Seven Incher 7''

A wet dream in the minds of noise fans, Dog Leather is currently creaming the panties of a rabid community of freaks, creeps, scum lords, and post-apocalypse art punk… already legends in their own game, and their merging seems to have sparked something special, as Dog Leather is making some of the strangest and most exciting music around. The sound is like hip-hop on drugs fed through a wood chipper or meat grinder. These kids aren’t trying to be rappers, they are just being themselves, and it is swagged the fuck out.

Dog Leather - (2011) ST CS

Stenze Quo Musik, C20

Skull Katalog & Timeghost - (2014) Split CS

Sewn Leather became SKULL KATALOG in late 2013.

Skull Katalog - (2016) Pissworld Odor LP

Ormolycka ‎– oo103

LFA - (2015) Instrumental Throat Research CS

Nostilevo CS

Yabiku Hideko - (1960) Song Of Night 10''

No, there isn't anything on the internet about this artist.

She probably died and went to heaven.

VA - (1998) More Than Music 10''

Compilation of Chicago punk band's from late 90's. I should have copied the insert booklet to give more of an idea as to the types of bands. 
Tracklist:
A1     – Spy Vs Spy - Shock Treatment
A2     – Baxter - Descend
A3     – The Humdingers - Battle Royale
A4     – Hitmen  - Good Times
A5     – The Dorks! - Runaway
B1     – Trepan Nation     Keep It Down
B2     – The Wayouts - Wrong Speed
B3     – The Letterbombs - Ashtray    
B4     – Radii - Timing Belt On A Time Machine - Cold Concrete Soothes The Sickly Soul  
B5     – The 4-Squares - Sellout

The Wedding Present - (1996) Saturnalia 2x10''

Saturnalia is the fifth full album by The Wedding Present, originally released in 1996. Saturnalia witnessed songwriter David Gedge deftly balancing his band's traditional pop brio with complex arrangements and unorthodox instrumentation. It felt like a Wedding Present greatest hits album, only with brand new songs, new ideas - and no reservations. 

Thulsa Doom - (2011) 1998 - 2000 10''

NYC anarcho punk legends of the 90's finally have one piece of vinyl with all 10 of those hard to find tracks.  This 10" record feature songs from the split 7" with Distraught and the full "Desensitized" 7". But that's not all, it also features 3 never before released tracks.  Press limited to 550 black vinyl.

The Three Suns - (1954) Favorites 10''

Formed in 1939. Founding Members:
Artie Dunn - Vocals, Organ.
Morty Nevins - Accordion.
Al Nevins - Guitar.
The Three Suns was an American instrumental pop group, popular in the 1940s and 1950s.

The Vindictives - (1994) Party Time For Assholes 10''

The Vindictives are a Chicago-based punk pop group formed in 1990, and were active through 1996. They are peers with Screeching Weasel, The Queers and other bands from the era, they are also heavily-influenced by the Ramones. Joey Vindicitive’s characteristic nasal melodies often told the story of alienation, psychosis, social-ills, and contiunally rejected rules of politeness. The lyrics are often intelligent outrages communicated through intentionally immature self defeating soliloquies.