Two sides of beautiful drone from Ross Gentry and William Isenogle.
Thursday, March 17, 2016
John Haughm - (2011) +46° 17' 36.30'', -124° 4' 20.13'' 7''
John Haughm (born September 14, 1975) is a metal / ambient musician from the United States. He is most famous for being the vocalist and guitarist of the band Agalloch. He has also released music as a soloist, playing ambient with noise and post-rock influences.
John Coltrane - (1962) Coltrane Plays The Blues CS
Coltrane's sessions for Atlantic in late October 1960 were prolific, yielding the material for My Favorite Things, Coltrane Plays the Blues, and Coltrane's Sound. My Favorite Things was destined to be the most remembered and influential of these, and while Coltrane Plays the Blues is not as renowned or daring in material, it is still a powerful session. As for the phrase "plays the blues" in the title, that's not an indicator that the tunes are conventional blues (they aren't). It's more indicative of a bluesy sensibility, whether he is playing muscular saxophone or, on "Blues to Bechet" and "Mr. Syms," the more unusual sounding (at the time) soprano sax. Elvin Jones, who hadn't been in Coltrane's band long, really busts out on the quicker numbers, such as "Blues to You" and "Mr. Day."
Dogestapo - (2015) Spieizeugkiste CS
Fallow Field cassette.
There are six tracks total from both sides but only four track names listed.
So I didn't split the tracks.
Pod Blotz - (2013) Glass Tears LP
Long awaited full length LP from US based noise polymath Suzy Poling aka Pod Blotz. Following a stream of splits and cassette emissions, "Glass Tears" is a rewarding, head-first trip into a monochrome world of static and forbidden pleasures rendered permissive. Poling's skill is in formulating digestible chunks of tonal scabs and rhythmical stutterings from diffuse sources, analogue machines that sound like they're being born or dying.
There's reams of pleasurable aural personifications on Glass Tears, Poling's voice makes appearances, intoning or narrating, providing hooks and ticks which stick to the listeners' ears. While there's definite Post-Industrial leanings here what's most striking is how cinematic and atmospheric the LP is, a unique soundworld born of noise but not entirely comfortable there.
Blue Krishna - (2014) Repeat Until Death CS
One of the new feel that mix of light and industrial shadow of psychedelic/ dub. New project, Blue Krishna by a member of the underground unit Body Of Light. While the drop, interesting music show and cheerful psychedelia of NNF-based dub-synth, a firm rooted noise sore to the industrial revival era. After all, in the dark there from Nostilevo, this psychedelic feeling has refracted to comfortably exquisite direction to decadence ear!
Knækkede Stemmer - (2015) Marts (Musik For Død Akustik) CS
Total Black 033. Cassette. Marts i to bevægelser, '14. Båndmanipuleret violin og tilfældig analog synthesizer af Mikkel Rørbo.
Heavenly - (1994) The Decline And Fall Of Heavenly CS
Heavenly formed in Oxford, England early 1990 out of the ashes of Talulah Gosh. Consisting of Amelia Fletcher, voice and guitar, Peter Momtchiloff, guitar, Matthew Fletcher, drums, Rob Pursey, bass, and Cathy Rogers, voice, keyboards, Heavenly released four albums and several singles and EPs. This is the third album.
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