Merge Records – MRG730
Legendary singer-songwriter-guitarist-bandleader Bob Mould has announced
the release of an explosive new album. BLUE HEARTS arrives via Merge
Records on Friday, September 25
BLUE HEARTS is perhaps the most directly confrontational work of Bob
Mould’s four-decade career, a raging 14-track collection described by
its creator as “the catchiest batch of protest songs I’ve ever written
in one sitting.” Produced by Mould at Chicago’s famed Electrical Audio
with longtime collaborator Beau Sorenson engineering, the album – which
once again features backing from the crack rhythm section of drummer Jon
Wurster and bassist Jason Narducy – nods to the veteran
singer-songwriter’s groundbreaking past while remaining firmly planted
in the issues of the day. Where SUNSHINE ROCK captured Mould at his most
“violently happy” (according to Rolling Stone), BLUE HEARTS is both
seething and pointed, the raging yin to the previous album’s positive
yang. The acoustic opener, “Heart on My Sleeve” catalogues the ravages
of climate change, while “American Crisis” – written initially for
SUNSHINE ROCK but deemed “too heavy” by its writer – spits plainspoken
fire at the people who fomented this catastrophic moment in history: “I
never thought I’d see this bullshit again / To come of age in the ’80s
was bad enough / We were marginalized and demonized / I watched a lot of
my generation die / Welcome back to American crisis.”
Elsewhere, the political and personal collide on songs like “Everyth!ng
to You,” “The Ocean,” and the salaciously autobiographical “Leather
Dreams,” the latter two composed earlier this year during an epic
three-day writing binge prior to January 2020’s sold-out Solo Electric
tour. As volatile, hook-laden, and aggressively honest as anything in
Mould’s remarkable canon, BLUE HEARTS is fueled by a pervasive sense of
déjà vu, its angry anthems of today equally informed by his experiences
and memories of the early 1980s. Back then, Mould was a self-described
“22-year-old closeted gay man” touring with the one and only Hüsker Dü
as AIDS consumed his community. Leaders – including the one in the White
House – seemed content to let the epidemic kill a generation. No wonder
Bob Mould found his mind wandering back…
“We have a charismatic, telegenic, say-anything leader being propped up
by evangelicals,” he says. “These fuckers tried to kill me once. They
didn’t do it. They scared me. I didn’t do enough. Guess what? I’m back,
and we’re back here again. And I’m not going to sit quietly this time
and worry about alienating anyone.”

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