flau – FLAU79
“Travel is always the theme of Sparrows’ work,” says Ryota Miyake (aka
Sparrows himself). It’s on his latest album Berries that this is truly
exemplified, not just in the international smorgasbord of featuring
artists from Fazerdaze (New Zealand), Julián Mayorga (Spain), Casey MQ
(Canada) and Vincent Ruiz aka Yung Veerp (Switzland), to
Iranian-American producer Kamron Saniee, but in the actual feeling of
the music itself. “I wanted it to be a little hard-boiled and rough,” he
admits, “but in the end, the concept is to travel like science
fiction.”
And when it comes to “travel like science fiction”, nothing does it
better than Miyake’s latest body of work. Taking cues from the retro
dadaist electronica of his band CRYSTAL, there are tracks like ‘Moon’,
drenched in atmospheric VGM flavours, ‘The Star Tours’ which Ryota
himself describes as “pre-YMO fusion”, and the “phony jazz band, acid
house bass and synth noise” of ‘Bands In The Sand’. This theme of the
“imaginary band” crops up more than once.
Elsewhere Berries tumbles along in a patchwork of ‘Coffee and TV’
jangle, splashy jazz elements, ‘60s psychedelia and galloping, airy
space rock, making for a journey that’s as vivid as it is varied.
Sounds, we’re told, from Miyake’s student days.
“I had a lot of opportunities to listen to jazz, fusion, and soul,” he
admits, “but I decided on the overall tone thinking that I would be able
to mix the feeling of the puffy life I had spent abroad with the pale,
dreamy, psychic atmosphere I had always liked.”
Speaking of that “puffy life”, he was originally going to name the album
Sparrows’ Lazy Life but decided on Berries when a friend suggested “a
short title like Taylor Swift because there were a lot of sweet pop
songs.” Each track on Berries bursts with flavour: the perfect road trip
snack for a mystical mixed salad of journeys and travels.
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