Pan – PAN 29.
"If “Dream Tennis” was any indication, Heatsick has struck a nerve with
his singles that stretch preset washes of polyphony through sunset-hued
landscapes of disco and house. Equipped with only a Casio keyboard, he
has played alongside everyone from Omar Souleyman to DJ Harvey, Daniel
Wang and Legowelt, and has demonstrated his ability not only to extend
his keyboard to its limits, but to transcend its musical territory,
opening up a diverse range of styles, genres and gestures to his
dance-addled mimicries and musings.
“Déviation” marks Heatsick's most expansive dance release to date,
featuring four tracks of kaleidoscopic house that combine a lo-fi
aesthetic with clear, textured structures akin to wandering through a
densely gridded, sultry urban environment. With influences ranging from
Fela Kuti to Todd Terry, the EP revolves around as much of a disco
aesthetic as it does a leisurely soundtrack to a casual day of hanging
out.
The dub-influenced title track begins with a rhythmic, Latin-oriented
introduction that delicately deviates towards its shimmering second half
as the pitch spirals in a locked progression. The climax refuses to
come quickly, however, and a flow of excitement frames the track until
it finishes in step. The EP's subdued second track, “C'était un
rendez-vous”, presents a sort of chill-out vibe with a cinematic
consciousness. This track features backing by the prodigious saxophonist
André Vida, whose snippets of smooth to free jazz are seamlessly
interlaced within the last two tracks as well.
On the B-side, the B1 track “The Stars Down to Earth” is overlaid with a
vocal sample and brims with a frenetic energy that calls to mind an
ebulliently bassy, Bristol mentality. The concluding track, “No Fixed
Address”, takes the territory of the B1 and introduces it to a 90s Todd
Terry treatment, providing a jacking conclusion to this varied,
densely-packed release worthy of multiple listenings."

No comments:
Post a Comment
Hi.