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Saturday, December 26, 2020

Crossed Out - (1999) 1990-1993 CD

Slap A Ham Records ‎– 055

Tracks 1 to 7 were recorded on September 28, 1991. Originally released as the self-titled 7".

Tracks 8 to 15 were recorded on February 15, 1992. Tracks 8, 10, 11 and 12 were originally released on the split 5" with Dropdead. Tracks 9 and 13 were originally released on the Son Of Bllleeeeaaauuurrrrgghhh! compilation 7". Tracks 14 and 15 are unreleased versions.

Tracks 16 to 21 were recorded on October 17, 1992. Originally released on the split 7" with Man Is The Bastard.

Track 22 was recorded on December 15, 1990 at a rehearsal.

Tracks 23 to 29 were recorded in April 1991. Originally released as the demo tape.

Tracks 30 to 41 were recorded on March 27, 1992. Live on KSPC Radio in Claremont, CA.

Tracks 42 and 43 were recorded sometime in 1992 at a rehearsal. Track 42 is a previously unreleased instrumental.

Tracks 44 to 47 were recorded on August 21,1993. Live at the Ché Café in San Diego, CA.

Josh Lay - (2010) Rotted Afterlife LP

 

Urashima ‎– UMA 014 


Controlled Opposition - (2019) ST

 

 Unrest Productions ‎– UNREST51

CCR Headcleaner - (2020) Street Riffs LP

 In The Red Records ‎– ITR-341

San Francisco’s CCR Headcleaner are back with a brand new full length of dark, heavy, brutal, face-melting punk-adjacent stoner noise. These guys are as good as fucked up acid fried rock n’ roll gets and Street Riffs is their best statement yet!

Entartun - (2018) ST CD

 

Obsessive Fundamental Realism ‎– OFR-CD 02



Fuckface - (1996) Don't Hate Us 'Cause We're... 7''

 

Poverty Records ‎– PVTY-003 

Edgar Pável - (2020) Gonizanu CS

 

 Irán Wym Organización ‎– IWO 005

Grim - (2019) Factory Ritual

 

Steinklang Industries ‎– SK133

The post-industrial music pioneer from Japan surprises once again with simplistic purity in noise and sound. field recordings, junk noise and rhythms, organs and distinctive vocals – a mixture towards another great GRIM experience.

Grim - (2019) Lunatic House

 

Steinklang Industries ‎– SK120

 Jun Konagaya’s music—both the material released under his own name as well as his long-running output as Grim—has been an important part of my life for a long time, from my initial discovery of his debut Folk Music to falling in love with 2015’s Maha to the release of Memento Mori a few years ago. Throughout his eclectic, multitude work, there are recurring motifs that appear again and again, and Konagaya cements his singular style with a distinctive way of integrating melody into crushing abrasiveness; these elements are so recognizable that it’s always immediately clear it’s him (there’s even a consistent organ melody that repeatedly crops up and links different releases together). The opening moments of Lunatic House are so distinctly Konagaya that it brought a smile to my face. I haven’t been able to get ahold of the tape that preceded this release, Body, but Lunatic House is a fascinatingly diverse and unique progression from the artist’s recent output, melding Grim’s dual faith to beauty and aggression into a more cohesive style than ever before. Sublime, soothing guitar strumming is overcome by cycling waves of distortion assaults on “Luna,” music-box like reversed notes evolve into a seething rumble on “Tarantula,” and on “Voodoo Drive” a meditative field recording of a humanity-filled public place gives way to one of the most consuming and terrifying amalgams of sound I’ve ever heard, a restless mass of tortured, throat-tearing yells and crushing noise. Lunatic House is a new favorite from Jun Konagaya’s excellent discography, and with a classic, tear-jerking closing track that makes me recall every bittersweet lonely night I’ve spent with Travel or Love Song, definitely made my day.

Grim - (2020) Hermit Amen

 

Steinklang Industries ‎– SK128 

< Hermit Amen > is based on unreleased melodies made by GRIM with TASCAM porta one between 1980's and 2010's.
For all fans of early GRIM and JUN KONAGAYA material!

Cremation Lily - (2020) More Songs About Drowning CS

 

Self-released ‎– none

washed out songs about drowning, sinking, leaving. no genre. no press. long-awaited collaged waves of ambience and noise whirl with layers of swirling vocals + melancholy beats.

guest voices from wicca phase springs eternal, døves and geoffrey rickly (of the band thursday) + sound contributors such as moss harvest, false moniker, plague mother, billy gomberg and daniel mothers feel like they could only come together for a project this expansive + expressive. xerox artwork by moss harvest completes the release, bringing a face + a body to the cremation lily project.

washed away, understanding forever. 

Churner - (2010) Alo Girl 2xCS

 

Violent Noise Atrocities ‎– VNA-075

Damaged Bug / Black Pus - (2017) Less Artists More Condos Series #17 7''

 


 Famous Class ‎– FC043, LAMC ‎– 17 


The seventeenth release in the LAMC 7” Series. The tracks are available for 'Pay What You Want' with 100% of the digital proceeds going to the ACLU

“Rubber Lips” written and performed by John Dwyer © ASCAP "ONEEYEDFATGIRL"
Recorded at stu stu studio

“High Tide” written and performed by Brian Chippendale © Hit Points Publishing (BMI)
Recorded at The Hilarious Attic. Mixed at Machines with Magnets with Seth Manchester

Candyblisters - (2016) Missing Signals (2002-2006) 4xCS

 

 Room 2A ‎– none

Canadian Rifles - (2020) Eastern Nurseries 2xCS

 

VAKNAR ‎– VAK30 

Since its inception in 2019, the Porto based Eastern Nurseries label has released a string of noteworthy titles, yet the first two outings by Canadian Rifles, the solo moniker of label founder Rui P. Andrade, remain defining pillars in the label's discography.

These first two releases, Canadian Rifles ‘Eastern Nurseries’ album and the follow up single ‘Of Course I Still Love You / Geranium’ sprawl with acute emotive clangour and venerable opulence, their soundscapes conjuring visions of windswept cities, blemished technology and inherent tenderness.

Now these works have been carefully reassembled on one expanded reissue, remastered by Daniele Antezza of Dadub mastering and featuring two new remixes by Dino Spiluttini and Burning Pyre.

Junta Cadre - (2020) Vietnam Forever

 

No Rent Records ‎– NRR141 
 
Power electronics with the intention of examining the political and social history of global 20th century conflicts, war, and propaganda.

aka SVN (his DL blog... http://www.svn-okklt.com/), Herukat, Commuter

Psychic Reality - (2015) Chassis LP

 

 Intercoastal Artists ‎– IA008 

Chassis is the undercarriage, the skeletal core of a car. Any seasoned racecar driver knows the chassis gotta be true, intact. Psychic Reality (est. 2009 by Leyna Noel, formerly of Pocahaunted) grew up in the dirt of the pits, scrutinizing wrecks in all their Days of Thunder carnage. Here's the track law: after a smash-up the body can always be replaced, but not the core. So you care for it. With everything you got. In 2013 Psychic Reality's own pile-up took her to Portmore, Jamaica. Kingston. Where, with friend and pit crew collaborator M. Geddes Gengras (modular synth maven/ex-Pocahaunted/ producer on Sun Araw + The Congos' Icon Give Thank), she re-shaped. Hard... what about the leftover skid marks, the rubber-coated gravelly smear? They're all aurally here. Revving in the interval following Vibrant New Age (Not Not Fun, 2011), Psychic Reality's second full length record CHASSIS (Intercoastal Artists, spring 2015), makes tracks like when road ice melts under a hot engine, the path wet and revealing. The contrast between soft and hard dragging out the leftover grit. Chassis is also the ribs of an electronic device, a bare circuit board. This particular board (with audile contributions by Damon Eliza Palermo (Magic Touch), Cameron Stallones (Sun Araw) and M. Geddes Gengras) makes ambient vocal tides. Each track as it appears on the record is ecosystemic, body electric in scope. But beneath the surface is another song, a tensile core for lung-power only that can be sung in a room. These are songs of distention, elongation. Bodies held at an intimate distance. Sonic spaces that stretch so far you fall into them. The structural two-ness gives the tracks their grind. But does drift have chassis? Does halyconic L. A. (where the album was recorded) light? Can chassis be supple, spectral? No coincidence Psychic Reality's been running her own Pilates studio in Brooklyn since 2011. Her core practice holds all contradiction as gift. To meet at the source: Liz Phair's gutty Exile in Guyville, Sade's Soldier of Love, dancehall do-overs plus spatterings of daily junk: emails texts iphone recordings detritus tissue feelings. CHASSIS is something like church, something like swimming, like spirit straining towards. These are health jams. That the beats are muffled by a body makes them beats in the body. There's genuine ganja here but the real heady clouds are palo santo. Voice is resinous. Smoke what you want, Psychic Reality's pitch is sticky, growing from the center-out like trees.

Vatican Shadow - (2020) Persian Pillars Of The Gasoline Era LP

 

 20 Buck Spin ‎– SPIN134

Vatican Shadow commands his bleakest night-vision pads and craftiest Muslimgauze-style rhythms in this seriously prime volley for Pittsburgh’s 20 Buck Spin - unmissable for the fiends!

‘Persian Pillars Of The Gasoline Era’ sees Dominick Fernow back to strong form with six tracks inspired by recent Middle Eastern geopolitics and very much built in the image of latter period Bryn Jones aka Muslimgauze productions, but more than sufficiently distinguished by his transfixing arrangements.

The brooding VS synth glare is in deep and hypnotic effect and the drums programming is some of his deadliest, adapting the mood of the times and media rhetoric in a way that’s never glib or ironic and always with an emotional levity. ‘Rehearsing for the Attack’ is an instant VS classic, trading in rudely syncopated steppers drums and his finest sort of synth subterfuge, and likewise ‘uncontrollable oasis (Real life spy mystery ends with scientist hanged in Iran)’ leaves a heavy impression, while the plot only becomes more expansive, urgent with the closing section’s 10mins of intricate arps in ‘moving secret money’, and his trampling 12 min mission sequence ‘ayatollah ferocity’.


Bob Bellerue - (2010) Steinway CS


 Banned Production ‎– bp146

The Zits - (2020) Back In Blackhead

 

 Feel It Records ‎– FEEL IT 45

The Zits were a short-lived phenomenon, forming in February 1981 and disbanding upon graduation from Oakton High School in late May. Initially dubbed Nic Beery and The Zits, the group quickly shortened things to The Zits while rehearsing and playing a mix of basement parties, high school events, and community centers. Within a few months, The Zits had a solid repertoire of punk originals and covers, which included The Ramones and The Undertones (see track 5 for a great version of "Can't Get Over You"). Inspired by a classmate who had pressed a solo 45, The Zits pre-sold copies of their very own single, and booked time at Eastern Recording in Glen Burnie, Maryland to record their two strongest tracks. Produced by Scott Watson of regional new wave act The Intentions, the two tracks - "Sick on You" and "Beat Your Face" were quickly mixed and sent off to be released as a 45 on singer Nic Beery's own Olympic Records. Both tracks are total teen punk hits with great snotty vocals, crunchy guitar, keyboard, and some of the best dry heaves ever committed to tape! Nearly 40 years later, the single - and it's appropriately low-brow picture sleeve - has gained a reputation as a bonafide Killed By Death/Bloodstains-comp level hitter, and appears here remastered from the original 8 track tape.
But that's not all! The Zitmusic archives yielded an incredible cache of unreleased cassette material taken from rehearsals and live shows. "Back in Blackhead" also features 7 previously unheard cuts, including what could have been the second Zits single - the killer "Bertha Was a Slut", the warped twelve bar "No Dough Blues", and several other exuberant teenpunk anthems. The Zits may have not had the sex or the drugs, but they certainly tackled the rock'n'roll better than most other class of 1981 bands can claim. After receiving a promo copy of The Zits 45, Greg Hawkes of The Cars replied via postcard, "I played your record and thought it was pretty ridiculous." Thankfully that ridiculousness has been preserved on "Back in Blackhead" 

[Code/Neda] - (2019) Tomorrow Doubles the Body Count

Unrest Productions ‎– UNREST49

Commuter - (2017) Chuo Line Express

Fusty Cunt ‎– FUC 194 


Abscheu - (2017) Pretense

 Unrest Productions ‎– UNREST43

Alvars Orkester - (1991) Apparaat CS

Börft Records ‎– börft.49

Black To Comm - (2020) Oocyte Oil & Stolen Androgens

Thrill Jockey ‎– THRILL534 

The music of Black To Comm is as powerfully intoxicating as it is subtly unnerving. Shapeshifting producer and sound artist Marc Richter has established himself as one of the most inventive and ambitious voices in contemporary music. Richter’s mastery of sonic manipulation is matched only by his astounding clarity of vision. Working heavily with sampling and electronic processing, each of his phantasmagoric works is meticulously constructed from a truly omnivorous array of smudged samples, found sounds, and other sonic detritus, collected by Richter from across the history of recorded music and altered into beguiling new shapes. Sound sources seem tantalizingly familiar and yet forever just out of reach, flickering at the edges of memory and perception or submerged in a bristling sea of static. A single piece might strafe elements of Eastern European folk, medieval plainsong, sky-clawing metal and shimmering ambient music, all ingested by Richter into his singular sound-world. Oocyte Oil & Stolen Androgens sees Richter’s turn his wild imagination to an exploration of the human voice, compiling some of his most immediate and affecting music to date.

Broken Column - (2019) A Door's Edge CS

AUTO-da-FÉ ‎– AdF003

Broken Column - (2020) In Exile CS


AUTO-da-FÉ ‎– AdF010

No Artist - (2019) Void Loops CS

 

AUTO-da-FÉ ‎– AdF006