VA - (2015) Tasmania I 2xCS

Tracklist:
A1 Dysassociation - Endless Low    
A2 Fixation - Crippled Over    
A3 Fixation - Falling Down    
A4 Blackline - Famine    
A5 Blackline - Disease    
B1 Carved Cross - Forced Self Deprivation    
C2 Colour Sensory - Waves Of Diffraction    
C1 Gaunt - Music Isnt Fun    
C2 Gaunt - Something To Numb    
C3 Leather Temple - Dark Sreet Corners    
C4 Parvo - Teenage Kicks    
D1 Night Falls Haunting - Prelude    
D2 Night Falls Haunting - Fear Haunts Me    
D3 Claudia - Faggot's Spit    
D4 Fetish Ritual - M.B

Overuse ‎ 002

VA - (2018) Tasmania II 2xLP

 Overuse ‎– 005   FLAC

Deterge - (2018) Superannuated 2xCS

 Fusty Cunt ‎– 193

Privileged Male Scum - (2017) Deep In Your Guts CS

 Self-released ‎– none

Gaylads - (1967) Soul Beat

 Studio One ‎– 001

The Gaylads are a Jamaican vocal group. They were one of the top rocksteady vocal groups active in Jamaica between 1963 and 1973. The group, formed in Kingston, originally consisted of singers Harris "B.B." Seaton, Winston Delano Stewart and Maurice Roberts.

There would be several line-up changes throughout The Gaylads' ten year history, with Maurice Roberts remaining the only constant member.

Besides recording several hit records, The Gaylads also backed many influential musicians (including Ken Boothe) on recordings.

Originally released in 1967. Recorded by Jamaica Recording Studio & Co., Publishers. Manufactured by Jamaica Records Manufactures Ltd. 13 Brentford Rd. Kingston 5, Jamaica, W.I.
Made In Jamaica

Glen Brown And King Tubby - (1996) Termination Dub (1973-79) CD

Blood & Fire ‎– 015

Glen Brown is one of the unsung heroes of Jamaican music. He began as a singer in the 60's, developed his skill as a melodica player, and then made his indelible mark as a producer in the 70's. His forte was the rhythm. Not the bouncing, melodic bass of Studio One, but the heavy pounding rhythms ideally suited to the era of Rasta militance. Typically he would develop a new rhythm, make umpteen cuts with various singers and DJs, hand them over to King Tubby for mixing, and then move on to the next one. He didn't have many rhythms, but boy were they good! Top titles too: "Leggo The Herb Man Dub", "Wicked Can't Run This Dub" and "Request Granted Dubwise" (possibly his best and a surprising omission from this compilation). They were well-suited to Tubby who keeps them simple - chopped, rewound and echoed to the max. Sometimes he interferes too much, when all you want to hear is the bass boom and the drums pound. But you can't really argue with the quality of tracks like "Father For The Living Dubwise" or "Melodica International". Blood and Fire have established themselves as reggae archivists without parallel. Respect granted dubwise.

Gregory Isaacs - (2014) Slum In Dub CD

 Tad's Record ‎– 0912 

I've found this to be strangely absent on many 'Best Dub' lists, despite its obvious place among the classics.
There are utterly wonderful tunes, bass-lines, and general high musicianship by some of Jamaica's greatest musicians behind the expertly and lovingly produced Dub job on these Gregory Isaacs tracks by his Highness Prince Jammy. This is one of Mr. Isaacs' best selling albums despite Isaacs' voice being only present here in a few tiny, manipulated snippets. There is also some terrific percussion work on the album, juxtaposed with the vital intricate drumming of the trap kit.