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Tuesday, February 8, 2022

Downhill Racer (1969)

 


1h 49m 4.36GB .ISO file


Astonishing Alpine location photography and a young Robert Redford in one of his earliest starring roles are just two of the visual splendors of Downhill Racer, the visceral debut feature of Michael Ritchie. In a beautifully understated performance, Redford is David Chappellet, a ruthlessly ambitious skier competing for Olympic gold with an underdog American team in Europe, and Gene Hackman provides tough support as the coach who tries to temper the upstart’s narcissistic drive for glory. With a subtle screenplay by acclaimed novelist James Salter, Downhill Racer is a vivid character portrait buoyed by breathtakingly fast and furious imagery that brings the viewer directly into the mind of the competitor.



Entertainment (2015)

 


1h 50m 4.36GB .ISO file


An abrasive stand-up comic (Gregg Turkington) hits the road to perform a series of shows at seedy venues.
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After touring an aircraft boneyard in the California desert, the film's main subject (Gregg Turkington) performs a stand-up routine as the character of Neil Hamburger to an audience of prisoners following a clown act by "Eddie the Opener" (Tye Sheridan). The convicts react positively to his openly sexist, racist, and homophobic jokes. Back at his hotel, he leaves a voicemail for his daughter while a soap opera plays on television. The next morning, he hikes across rock formations before performing at a bar, but the show goes poorly as few patrons laugh and one heckles him. This causes the performer to express irritation (in character) with the audience and the heckler.
The performer's cousin John (John C. Reilly) approaches him after the show and awkwardly converses about the unenthusiastic audience while passively criticizing the raunchiness of his routine. He responds defensively to the criticisms and blames the poor reception of the routine on the heckler. At another hotel that night, the comedian leaves a second voicemail for his daughter. The next day, he tours an oil field. Another show takes place that night at another bar. Eddie the Opener gets a relatively positive reaction from the crowd, but the main character receives very little positivity himself, expressing the same in-character frustrations with the audience. After being told by the manager of the establishment that no hotel rooms are available, he stays at the house of the manager's cousin. A female member of the family watches the main character sleep as an image of him in a hallway dressed entirely in white appears on-screen.
He tours a ghost town the next day, leaving a very despondent voicemail for his daughter in which he laments how hard it is to reach her. He spends the rest of the day with his cousin John, who drunkenly attempts to encourage the main character that night. The comedian goes to a bowling alley and a shooting park the following day before crashing a chromotherapy seminar that night and falling asleep in the midst of it. At his hotel, he runs into the woman who was giving the lecture (Lotte Verbeek). She puts him in a red-light therapy booth before setting up chairs for another seminar, and he watches the same soap opera again in his hotel room. Another show takes place the next day, but only Eddie is shown performing to a wildly energetic crowd. The comedian gets a call from an online filmmaker who wants him to star in a video. He arrives in the desert with the filmmakers the next day but soon wanders off, seemingly impatient and irritated.
Before a show, Eddie approaches the comedian and briefly expresses his gratitude for working with him, but the performer responds somewhat indifferently. The show goes disastrously: not a single patron of the bar laughs and the comedian aims extremely vulgar insults at a woman (Amy Seimetz), who throws a drink at him before leaving the bar, then assaults him as he is walking to his car. Eddie tries to help him by taking him to his hotel room, but the comedian eventually lashes out at his partner as well.
The next morning, the comedian stops on the road to examine a wrecked car. He hits a dog on the road that night, and later, in a public bathroom, a stranger named Tommy (Michael Cera) claims his car has broken down and asks if the performer can keep him company while he waits for help. The Comedian responds very little, staring blankly. He gets extremely drunk in his hotel room and leaves another voicemail to his daughter in which he quietly sings Ave Maria.
Later, the comedian performs at a party where he ends up staying the night. Afterwards, he visits a public restroom where he investigates the cries of a woman coming from the women's restroom. He finds a woman in labor who begs for his help; the film cuts to the bloodied comedian falling asleep against the wall of the bathroom as he holds the presumably stillborn infant. He wakes up the next morning to find children smearing chocolate on the window of the car he was sleeping in.
That night, during his act, the comedian picks up a trophy at the venue, aims it at the audience, and pretends to fire at them; he eventually resorts to making fart noises with his mouth before walking off stage. The manager of the venue tells him, "We're not paying for that" before the performer leaves. He later leaves a fifth voicemail for his daughter in a public restroom.
At the pool party of a celebrity (Tim Heidecker) the next day, the comedian emerges from a cake before having a mental breakdown on stage and throwing himself into the pool. As he swims to the edge of the pool, images appear of him dripping wet on stage, wearing the same white outfit seen before, and exiting a jail cell. He enters the set of the soap opera that he had been watching; the film ends as the comedian has a manic episode while watching himself on screen.



Office Space (1999)

 


1h 29m 4.01GB .ISO file



Corporate drone Peter Gibbons (Ron Livingston) hates his soul-killing job at software company Initech. While undergoing hypnotherapy, Peter is left in a blissful state when his therapist dies in the middle of their session. He refuses to work overtime, plays games at his desk and unintentionally charms two consultants into putting him on the management fast-track. When Peter's friends learn they're about to be downsized, they hatch a revenge plot against the company inspired by "Superman III."
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Office Space is a 1999 American satirical black comedy film written and directed by Mike Judge. It satirizes the work life of a typical mid-to-late-1990s software company, focusing on a handful of individuals weary of their jobs. It stars Ron Livingston, Jennifer Aniston, Gary Cole, Stephen Root, David Herman, Ajay Naidu, and Diedrich Bader.
Office Space was filmed in Dallas and Austin, Texas. It is based on Judge's Milton cartoon series and was his first foray into live-action filmmaking and his second full-length motion picture release, following Beavis and Butt-Head Do America. His 2009 film Extract is also set in an office and was meant to be a companion piece to Office Space. The film's sympathetic depiction of ordinary information technology workers garnered a cult following within that field, but it also addresses themes familiar to white-collar employees and the workforce in general. It was a box office disappointment, making $12.2 million against a $10 million production budget. But after repeated airings on Comedy Central, it sold well on home video, and has become a cult film.
Several aspects of the film have become Internet memes. A scene where the three main characters systematically destroy a dysfunctional printer has been widely parodied. Swingline introduced a red stapler to its product line after the Milton character used one painted that color in the film.




Ad Astra (2019)

 


2h 4m 4.36GB .ISO file



Thirty years ago, Clifford McBride led a voyage into deep space, but the ship and crew were never heard from again. Now his son -- a fearless astronaut -- must embark on a daring mission to Neptune to uncover the truth about his missing father and a mysterious power surge that threatens the stability of the universe.
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Ad Astra (Latin for 'To the Stars') is a 2019 American science fiction film produced, co-written, and directed by James Gray. Starring Brad Pitt, Tommy Lee Jones, Ruth Negga, Liv Tyler, and Donald Sutherland, it follows an astronaut who ventures into space in search of his lost father, whose obsession at all costs to find intelligent alien life threatens the solar system and all life on Earth. The project was announced in early 2016, with Gray saying he wanted to feature "the most realistic depiction of space travel that's been put in a movie". Pitt signed on to star in April 2017 and the rest of the cast joined later that year. Filming began around Los Angeles that August, lasting through October.
Ad Astra premiered at the Venice Film Festival on August 29, 2019, and was theatrically released in the United States on September 20, 2019, by 20th Century Fox.[6] It received positive reviews from critics, with praise for Pitt's performance.[7] At the 92nd Academy Awards, it was nominated for Best Sound Mixing. The film grossed $135 million worldwide against an $80–100 million budget.



Edge Of Seventeen (1998)

 


1h 53m  4.36GB .ISO file



Set in 1984 in Sandusky, Ohio, it follows the coming-out of a naive 17-year-old at exactly the moment when gender-bending pop stars like Boy George and the Annie Lennox of the Eurythmics were flaunting androgynous images. As the youth, played with a heartbreaking sweetness by Chris Stafford, goes through his first rites of gay passage he emerges as a poignant gay everyman.
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Sandusky, Ohio, 1984: Eric Hunter is a Eurythmics-obsessed, musically driven teenager coming to terms with his sexual identity. When Eric and his best friend, Maggie, accept summer jobs in food service at the local amusement park, they befriend their lesbian manager, Angie, and a gay college student named Rod. Sparks fly between the two boys, even as Maggie waits patiently in the wings for Eric's affections. Eric and Rod eventually go on a date that ends at a motel, but then Rod promptly heads back to Ohio State. The encounter leaves Eric to have mixed feelings, but he is now more sure of his sexuality. After beginning his senior year of high school, Eric starts to change up his appearance by letting Maggie dye the top half of his hair blonde, and wearing edgier and more effeminate clothes. This raises eyebrows with his loving parents, but Eric learns that his mom is going to get a part-time job at a local movie multiplex to help send him to study music in New York. While at a party with Maggie, several guys from their school call Eric gay slurs that cause him to leave.
Later that night, Eric ventures out to the local gay disco "The Universal", a hopping joint run by none other than his old boss, Angie, who tells him not to worry about what everyone else thinks. He dances with a guy who takes him out to his car where the guy gives Eric a rim job, but then leaves shortly afterwards. Stung by a meaningless sexual experience, he calls Rod, who at first seems happy to hear from him, but then tells Eric that he probably shouldn't call him anymore. Eric then goes to Maggie's house where he finally tells her that he is gay. Maggie does not seem to be that surprised since she suspected Eric's relationship with Rod, but she comforts him nevertheless. Eric starts visiting the bar frequently, where he feels accepted by Angie and her close circle of friends. While waiting to meet up with Maggie one night, Eric clicks with a local college student named Jonathan. When Maggie finally comes to the club, she is heckled by Angie's friends for being Eric's "fag hag", and leaves. He follows Maggie, but she is really upset at Eric for previously leading her on.
Eric goes back to the club to find Jonathan, only to discover that he is already gone. He goes to the Ohio State dorms in hopes of finding him, but decides to find Rod instead. They go back to Rod's room where they have sex. Eric is shown to be uncomfortable during it, and leaves after Rod falls asleep. When Eric goes home, he is ambushed by his mother, Bonnie, about his recent behavior and appearance, and says that people are getting the wrong idea about him. Eric leaves, and goes to see Angie. While at her house, Angie explains to Eric that it's difficult to accept yourself for who you really are, and that he should give himself some time. He reconciles with Maggie, but quickly realizes that it was a mistake after sleeping together. Crestfallen at his rejection and his willingness to toy with her affections, Maggie ends the friendship. After she leaves, Eric's mother confronts him about a pair of matches she found in his clothes that were from the bar. He quickly denies ever going to the Universal, and leaves. When Eric finally comes home, he finds his mother playing on the piano. He comes out to her; feeling a weight being lifted off his shoulders. Eric later goes back to the bar just as Angie begins to sing. The film ends with Eric and Jonathan reunited as they watch Angie perform. It is loosely implied that after high school, he will go off to New York City for college and live the life he wants to live.



Dracula: Dead and Loving It (1995)

 


1h 28m 3.87GB .ISO file


Dapper Count Dracula (Leslie Nielsen) relocates from his Transylvanian castle to Victorian London with his slavish assistant, Renfield (Peter MacNicol), in search of new blood. He finds it in a pair of beautiful young women, Mina (Amy Yasbeck) and her best friend, Lucy (Lysette Anthony). When Mina's straitlaced fiancé, Jonathan (Steven Weber), notices his future bride's odd behavior, he calls in his mentor, vampire hunter Van Helsing (Mel Brooks), to save the day.
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Dracula: Dead and Loving It is a 1995 gothic comedy horror film directed by Mel Brooks and starring Leslie Nielsen. It is a spoof of Bram Stoker's novel Dracula and of some of the films it spawned.
Brooks co-authored the screenplay with Steve Haberman and Rudy De Luca. He also appears as Dr. Van Helsing. The film's other stars include Steven Weber, Amy Yasbeck, Peter MacNicol, Harvey Korman, and Anne Bancroft.
The film follows the classic Dracula (1931), starring Bela Lugosi, in its deviations from the novel. Its visual style and production values are reminiscent of the Hammer Horror films. It spoofs, among other films, The Fearless Vampire Killers (1967) and Bram Stoker's Dracula (1992).
As of 2021, it is the last movie to be directed by Mel Brooks, and the second to last co-written by Brooks (he would co-write the screenplay for the 2005 film adaptation of his musical, The Producers).



The Beastmaster (1982)

 


1h 58m 4.36GB .ISO file


A sword-and-sorcery fantasy about a young man's search for revenge. Armed with supernatural powers, the handsome hero and his animal allies wage war against marauding forces.
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The Beastmaster is a 1982 sword and sorcery film directed by Don Coscarelli and starring Marc Singer, Tanya Roberts, John Amos and Rip Torn. Loosely based on the 1959 novel The Beast Master by Andre Norton, the film is about a man who can communicate with animals, and who fights an evil wizard and his army.

Commercially The Beastmaster was not considered a box office success during its original cinematic run; however later it received extensive television exposure and success on cable in the American market on channels TBS, TNT, and HBO. The original film spawned two sequels as well as a syndicated television series that chronicled the further adventures of Dar.



Beauty And The Beast (1946)

 


1h 36m 4.36GB .ISO file



Jean Cocteau’s sublime adaptation of Mme. Leprince de Beaumont’s fairy-tale masterpiece—in which the pure love of a beautiful girl melts the heart of a feral but gentle beast—is a landmark of motion picture fantasy, with unforgettably romantic performances by Jean Marais and Josette Day. The spectacular visions of enchantment, desire, and death in Beauty and the Beast (La Belle et la Bête) have become timeless icons of cinematic wonder.



Beasts Of No Nation (2015)

 

Disc One 4.37GB .ISO file 
Disc Two 4.36GB .ISO file


The nightmare of war is seen through the eyes of one of its most tragic casualties—a child soldier—in this harrowing vision of innocence lost from Cary Joji Fukunaga. Based on the acclaimed novel by Uzodinma Iweala, Beasts of No Nation unfolds in an unnamed, civil-war-torn West African country, where the young Agu (Abraham Attah, in a haunting debut performance) witnesses carnage in his village before falling captive to a band of rebel soldiers led by a ruthless commander (an explosive Idris Elba), who molds the boy into a hardened killer. Fukunaga’s relentlessly roving camera work and stunning visuals—realism so intensely visceral it borders on the surreal—immerse the viewer in a world of unimaginable horror without ever losing sight of the powerful human story at its center.