Born out of desperation in the brutal Canadian winter of 2009, Robert Alfons and Maya Postepski began writing songs about nostalgia, lust, and erotomania. TRUST combine dark synth arpeggios, live and programmed drum beats with haunting, effected vocals. What begins in the genre of minimal synth progresses into a sort of slow-techno that is equal parts introspective cold-wave and extroverted 808 dance beats. Their debut video directed by Eva Michon, shows a playful side to the duo as they ride around nature on a motorbike together, later though, it hints at the pair’s darker undercurrent when an Equus inspired incident unfolds. “Candy Walls” is a gorgeous and unapologetically sexual debut, which will be heavily blogged about. It’s an undeniable beat matched with a stunning and unique aesthetic.
Secret Songs: Reflections from the Ear Mirror, Nobunny’s new LP on Goner Records, proves the Bay Area garage rocker’s absurd appropriation of rock ’n’ roll knows no bounds. In true Nobunny style, the album is a mixture of styles and fidelities, like having a garbage bin of awesomeness dumped on your head, the slime at the bottom rushing into your earholes and staining your brain. “Lurid and anarchic, Nobunny’s sound is a primitive animal thump informed by the conventions of early rock, classic ’70s punk and New Wave. It’s Chuck Berry with a devilock, Hasil Adkins crammed into Lux Interior’s PVC pants…. A punk rock Elvis impersonator doesn’t invite easy comparisons, but Nobunny’s chaotic live show evokes the costumed mania of Seattle’s the Spits, Black Lips, and the King Khan and BBQ Show… a catalyst for wild pandemonium, awash in sweat, musk, spit, and beer.”
