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Saturday, January 15, 2022

Nicholas Pike - (1989) C.H.U.D. II: Bud The C.H.U.D

 


Terror Vision – T.V.022




Pastoral Abuse - (2021) The Divine Sickness CS

 


Antipatik Records – [antpk.25]

Riz Ortolan - (1995) Cannibal Holocaust

 

Lucertola Media – LMCD 003



Vic Mizzy - (1966) The Ghost And Mr. Chicken OST

 


Percepto Records – PERCEPTO 015




The Rita / Scarlet Diva - (2021) Split 7''

 


Summer Interlude Records – none

Tony Inc. - (1988) The Haunting Chamber Of Horrors CS

 

Not On Label – none


VA - (1984) Haunted House CS

 

Not On Label – none

VA - (1986) Horrible Sounds Of Halloween CS

 


Not On Label – none

Young Hustlers - (2020) Hiding In The Open LP

 

Skuggsidan – 07

Sisters (1973)

 

4.32GB .ISO file  1h 32m


Margot Kidder is Danielle, a beautiful model separated from her Siamese twin, Dominique. When a hotshot reporter (Jennifer Salt) suspects Dominique of a brutal murder, she becomes dangerously ensnared in the sisters’ insidious sibling bond. A scary and stylish dissection of female crisis, Brian De Palma’s first foray into horror voyeurism is a stunning amalgam of split-screen effects, bloody birthday cakes, and a chilling score by frequent Alfred Hitchcock collaborator Bernard Herrmann.




Le silence de la mer (1949)

 

Disc One 4.33GB .ISO file
Disc Two 4.35GB .ISO file

Jean-Pierre Melville began his superb feature filmmaking career with this powerful adaptation of an influential underground novel written during the Nazi occupation of France. A cultured, naively idealistic German officer is billeted in the home of a middle-aged man and his grown niece; their response to his presence—their only form of resistance—is complete silence. Constructed with elegant minimalism and shot, by the legendary Henri Decaë, with hushed eloquence, Le silence de la mer points the way toward Melville’s later films about resistance and the occupation (Leon Morin, Priest; Army of Shadows) yet remains a singularly eerie masterwork in its own right.





The Shop on Main Street (1965)

 

125m  4.36GB .ISO file







An inept Slovak peasant is torn between greed and guilt when the Nazi-backed bosses of his town appoint him “Aryan controller” of an old Jewish widow’s button shop. Humor and tragedy fuse in this scathing exploration of one cowardly man’s complicity in the horrors of a totalitarian regime. Made near the height of Soviet oppression in Czechoslovakia, The Shop on Main Street features intense editing and camera work which won it the Academy Award™ for Best Foreign Film in 1965.


To Br Or Not To Be (1942)

 

Disc One 4.36GB .ISO file

Disc Two 4.28GB .ISO file

As nervy as it is hilarious, this screwball masterpiece from Ernst Lubitsch stars Jack Benny and, in her final screen appearance, Carole Lombard as husband-and-wife thespians in Nazi-occupied Warsaw who become caught up in a dangerous spy plot. To Be or Not to Be is a Hollywood film of the boldest black humor, which went into production right before the U.S. entered World War II. Lubitsch manages to brilliantly balance political satire, romance, slapstick, and wartime suspense in a comic high-wire act that has never been equaled.




Symbiopsychotaxiplasm: Two Takes by William Greaves

 

Disc One 4.36GB .ISO file (1968) 75m
Disc Two 4.36GB .ISO file (2005) 99m






















In his one-of-a-kind fiction/documentary hybrid Symbiopsychotaxiplasm: Take One, the pioneering William Greaves presides over a beleaguered film crew in New York’s Central Park, leaving them to try to figure out what kind of movie they’re making. A couple enacts a breakup scenario over and over, a documentary crew films a crew filming the crew, locals wander casually into the frame: the project defies easy description. Yet this wildly innovative sixties counterculture landmark remains one of the most tightly focused and insightful movies ever made about making movies, expanded thirty-five years later by its unconventional follow-up, Symbiopsychotaxiplasm: Take 2½. The “sequel” sees Take One actors Audrey Henningham and Shannon Baker reunited in a more personal, metatheatrical exploration of the effects of the passage of time on technology, the artistic process, and relationships—real and fabricated.